Something like contemporary drag appeared in the West from the late 18th century, blending early burlesque with nascent queer culture.
Bones of Crows premiered at last year’s Toronto International Film Festival and opened the Vancouver International Film Festival.
Liu, a former resident of Wuxi, has come a long way since moving to Canada to study for a master’s degree in piano performance and pedagogy.
Fé, a legendary Indigenous folk and blues musician, is recording a new album in Vancouver about ancestral waterways.
Bancroft has thought a lot about her identity as the daughter of a Japanese immigrant woman and a white man who was born in the U.K.
Svāhā! with Nova Bhattacharya, Shabazz Palaces, and Sarathy Korwar will all perform as part of Indian Summer.
Suzuki, who is Canada’s most famous environmentalist, links wasteful consumerism to deforestation, species extinction, and climate change.
Jung is workshopping her new play, Dead Korean Girl Comedy Show, with rice & beans theatre as part of its Polyphonic Translation Residency.
In advance of National Indigenous Peoples Day, a post-secondary institution is offering the public a chance to appreciate their creativity.
Initially, Turner developed her Buddhist practice against the backdrop of her first marriage and continued throughout her solo career.
Lee demonstrates that he can be both funny and emotional in Kathleen Jayme’s lighthearted short tribute film.
Verjee is a scholar, artist, arts administrator, and intellectual with a keen interest in cultural policies in Canada and around the world.
The Vancouver Island community of Paldi was populated by people of different races who worked, played, and attended school together.
Escamillan is the inaugural recipient, and it follows the dazzling world premiere of PIÑA at the SFU Goldcorp Centre for the Arts.
A trip to a Moose Jaw tourist attraction led Weiye Su to investigate the lives of Chinese immigrants to the city in the last century.
Canada’s most famous environmental activist says that solar and wind power achieve quicker and more economical results than nuclear energy.
Walang Hiya co-organizer Justinne Ramirez describes Pinxy and Pinay as less colonial than Filipinx and Filipina because of their origins.
Greene, who was raised in Skidegate, painted Raven in the City for the Bright Futures exhibition at the Bill Reid Gallery of Northwest Coast Art.
Bair created a massive installation called Curled Map, which will remain on the building’s façade until March 1, 2024.
Grant argues the end of the queen’s rule should mark “a global reckoning with the race-based order that undergirds empire and colonialism”.
MAYDAY insists that choreographer Mélanie Demers doesn’t subject audiences to accusatory harangues or wallow in sterile resignation.
Murao chose the short films, which will be co-presented by The Cinematheque and the Powell Street Festival on Thursday (May 25).
Fé, a legendary Indigenous folk and blues musician, is recording a new album in Vancouver about ancestral waterways.
Bancroft has thought a lot about her identity as the daughter of a Japanese immigrant woman and a white man who was born in the U.K.
Svāhā! with Nova Bhattacharya, Shabazz Palaces, and Sarathy Korwar will all perform as part of
Suzuki, who is Canada’s most famous environmentalist, links wasteful consumerism to deforestation, species extinction,
Jung is workshopping her new play, Dead Korean Girl Comedy Show, with rice & beans theatre as part of its
In advance of National Indigenous Peoples Day, a post-secondary institution is offering the public a chance to appreciate their creativity.
Something like contemporary drag appeared in the West from the late 18th century, blending early burlesque with nascent queer culture.
Bones of Crows premiered at last year’s Toronto International Film Festival and opened the Vancouver International Film Festival.
Initially, Turner developed her Buddhist practice against the backdrop of her first marriage and continued throughout her solo career.
Liu, a former resident of Wuxi, has come a long way since moving to Canada to study for a master’s
Lee demonstrates that he can be both funny and emotional in Kathleen Jayme’s lighthearted short tribute film.
Verjee is a scholar, artist, arts administrator, and intellectual with a keen interest in cultural policies in Canada and around
The Vancouver Island community of Paldi was populated by people of different races who worked, played, and attended school together.
Escamillan is the inaugural recipient, and it follows the dazzling world premiere of PIÑA at the SFU Goldcorp Centre for
Pancouver aims to build a more equal and empathetic society by advancing appreciation of visual and performing arts—and cultural communities—through education. Our goal is to elevate awareness about underrepresented artists and their organizations.
The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam Indian Band), Skwxwú7mesh (Squamish Nation), and Səl̓ílwətaɬ (Tsleil-Waututh Nation). With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.
Pancouver strives to build a more equal and empathetic society by advancing appreciation of visual and performing arts—and cultural communities—through education. Our goal is to elevate awareness about underrepresented artists and the organizations that support them.
The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam), Skwxwú7mesh (Squamish), and Səl̓ílwətaɬ (Tsleil-Waututh) Nations. With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.
