Language and subtitles provide characterization, establish the tone of a scene, and ground fictional stories in reality.
本拿比小提琴大师Lache Cercel是罗姆（Roma）爵士乐的全球翘楚。在布加勒斯特出生的他，早于12岁的时候已在脑海构思即兴乐章。然而，他并不知道这种音乐可称为爵士乐，因为当时罗马尼亚还是铁幕国家，所以他从未接触过这种音乐。
本拿比小提琴大師Lache Cercel是羅姆（Roma）爵士樂的全球翹楚。在布加勒斯特出生的他，早於12歲的時候已在腦海構思即興樂章。然而，他並不知道這種音樂可稱為爵士樂，因為當時羅馬尼亞還是鐵幕國家，所以他從未接觸過這種音樂。
Cercel shares how his people were enslaved in Europe, but that didn’t prevent them from influencing the continent’s major music trends.
The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam Indian Band), Skwxwú7mesh (Squamish Nation), and Səl̓ílwətaɬ (Tsleil-Waututh Nation). With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.
The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam), Skwxwú7mesh (Squamish), and Səl̓ílwətaɬ (Tsleil-Waututh) Nations. With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.
