Decolonizing Canadian academia pertains to how work is done on campuses, as well as how universities engage with broader communities.
This show will feature the works of eight Indigenous tattoo artists with ancestry from Turtle Island, India, Polynesia, and Aotearoa.
Les visiteurs de l’atelier de Chantal Cardinal aperçoivent immédiatement une grande chaise suspendue au plafond. Mais elle n’est pas créé à partir de polyester ou d’autres tissus synthétiques. Au lieu de cela, l’ancienne résidente de Montréal a fabriqué cette pièce entièrement à la main, en utilisant le feutrage humide pour lier les fibres de laine afin de créer un feutre fait à la main.
The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
This project is funded in part by the Government of Canada.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam Indian Band), Skwxwú7mesh (Squamish Nation), and Səl̓ílwətaɬ (Tsleil-Waututh Nation). With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.
This project is funded in part by the Government of Canada.
The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam), Skwxwú7mesh (Squamish), and Səl̓ílwətaɬ (Tsleil-Waututh) Nations. With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.
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