温哥华作曲家兼新媒体艺术家萧逸南 (Remy Siu) 在疫情来袭时陷入困境。当时，这位西门菲沙大学 (Simon Fraser University) 的美术系毕业生已经以 Hong Kong Exile 的共同艺术总监身份，深耕表演艺术十年。他与当代舞蹈艺术家颜婷妍 (Natalie Tin Yin Gan) 和实验剧场艺术家 Milton Lim 共同创立这家跨领域艺术公司，结合数码科技扩大编作表演。
溫哥華作曲家兼新媒體藝術家蕭逸南 (Remy Siu) 在疫情來襲時陷入困境。當時，這位西門菲沙大學 (Simon Fraser University) 的美術系畢業生已經以 Hong Kong Exile 的共同藝術總監身份，深耕表演藝術十年。他與當代舞蹈藝術家顏婷妍 (Natalie Tin Yin Gan) 和實驗劇場藝術家 Milton Lim 共同創立這家跨領域藝術公司，結合數位科技擴大編作表演。
《绿金龟的模仿犯 (The Mimicry)》的开场是一个俯瞰台北天际线的广角镜头，随即转向一片茂密的热带森林。在浓密的植被中，一只闪闪发亮的绿色金龟子爬过地上的一件绿色衬衫。片刻后，一名年轻男子出现，他有一只绿眼和一只黑眼，并开始扣上那件衣服。他环顾四周，显得既迷茫又充满好奇。
《綠金龜的模仿犯 (The Mimicry)》的開場是一個俯瞰台北天際線的廣角鏡頭，隨即轉向一片茂密的熱帶森林。在濃密的植被中，一隻閃閃發亮的綠色金龜子爬過地上的一件綠色襯衫。片刻後，一名年輕男子出現，他有一隻綠眼和一隻黑眼，並開始扣上那件衣服。他環顧四周，顯得既迷茫又充滿好奇。
In 2021, Siu launched a Vancouver video game studio, sunset visitor 斜陽過客, in the midst of a global pandemic.
The Vancouver Asian Film Festival will screen The Mimicry at noon on Saturday (November 16) at Scotiabank Theatre Vancouver.
The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
This project is funded in part by the Government of Canada.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam Indian Band), Skwxwú7mesh (Squamish Nation), and Səl̓ílwətaɬ (Tsleil-Waututh Nation). With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.
This project is funded in part by the Government of Canada.
The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam), Skwxwú7mesh (Squamish), and Səl̓ílwətaɬ (Tsleil-Waututh) Nations. With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.
Independent arts journalism needs readers like you!
If you value stories like this, please consider supporting Pancouver.