“All art is political; it’s not personal. Somehow, it reflects on the politics of our times.” –filmmaker Deepa Mehta
The Vancouver opera singer looks forward to playing a “pants” role in the Canadian premiere of Into the Little Hill.
Chan is one of several Vancouverites working exceptionally hard to preserve the freewheeling and imaginative culture of Hong Kong.
Jung is workshopping her new play, Dead Korean Girl Comedy Show, with rice & beans theatre as part of its Polyphonic Translation Residency.
Bancroft has thought a lot about her identity as the daughter of a Japanese immigrant woman and a white man who was born in the U.K.
Fé, a legendary Indigenous folk and blues musician, is recording a new album in Vancouver about ancestral waterways.
Greene, who was raised in Skidegate, painted Raven in the City for the Bright Futures exhibition at the Bill Reid Gallery of Northwest Coast Art.
Bair created a massive installation called Curled Map, which will remain on the building’s façade until March 1, 2024.
MAYDAY insists that choreographer Mélanie Demers doesn’t subject audiences to accusatory harangues or wallow in sterile resignation.
Documentaries about Vietnam’s LGBTQ community and a Middle Eastern family in exile are among the films honoured at DOXA.
The festival’s closing film, Kite Zo A, features plenty of dance, poetry, and music to tell the story of an often misunderstood nation.
Lefan, who’s based in Vancouver, created a lush music video for “The Lesson” in traditional Paiwan territory in Taitung County in Taiwan.
He’s worked with Céline Dion, Michael Jackson, Herbie Hancock, Cyndi Lauper, Katy Perry, and Tina
This deeply emotional documentary shares how three local residents of South Asian ancestry let their
The Vancouver opera singer looks forward to playing a “pants” role in the Canadian premiere of Into the Little Hill.
Chan is one of several Vancouverites working exceptionally hard to preserve the freewheeling and imaginative culture of Hong Kong.
He’s worked with Céline Dion, Michael Jackson, Herbie Hancock, Cyndi Lauper, Katy Perry, and Tina
This deeply emotional documentary shares how three local residents of South Asian ancestry let their
Jung is workshopping her new play, Dead Korean Girl Comedy Show, with rice & beans theatre as part of its
Bancroft has thought a lot about her identity as the daughter of a Japanese immigrant woman and a white man
Fé, a legendary Indigenous folk and blues musician, is recording a new album in Vancouver about ancestral waterways.
Greene, who was raised in Skidegate, painted Raven in the City for the Bright Futures exhibition at the Bill Reid
Bair created a massive installation called Curled Map, which will remain on the building’s façade until March 1, 2024.
MAYDAY insists that choreographer Mélanie Demers doesn’t subject audiences to accusatory harangues or wallow in sterile resignation.
Documentaries about Vietnam’s LGBTQ community and a Middle Eastern family in exile are among the films honoured at DOXA.
The festival’s closing film, Kite Zo A, features plenty of dance, poetry, and music to tell the story of an
Lefan, who’s based in Vancouver, created a lush music video for “The Lesson” in traditional Paiwan territory in Taitung County
Pancouver aims to build a more equal and empathetic society by advancing appreciation of visual and performing arts—and cultural communities—through education. Our goal is to elevate awareness about underrepresented artists and their organizations.
The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam Indian Band), Skwxwú7mesh (Squamish Nation), and Səl̓ílwətaɬ (Tsleil-Waututh Nation). With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.
Pancouver strives to build a more equal and empathetic society by advancing appreciation of visual and performing arts—and cultural communities—through education. Our goal is to elevate awareness about underrepresented artists and the organizations that support them.
The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam), Skwxwú7mesh (Squamish), and Səl̓ílwətaɬ (Tsleil-Waututh) Nations. With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.
