Not All Dragons: David Ly’s debut novel weaves together myth and self-identity
becky tu
May 25, 2026
David Ly shares about his debut novel, Not All Dragons, exploring self-identity, acceptance, and Vietnamese myth.
Author: becky tu
VIFF 2025: Canada’s Hong Kong diaspora is seen in Finch & Midland
becky tu
October 2, 2025
VIFF 2025 presents the world premiere of Finch & Midland, a film that captures the loneliness and resilience of Hong Kong diaspora in Canada.
November never left: Isabella Wang’s new poetry collection navigates grief and recovery
becky tu
September 11, 2025
Isabella Wang’s second poetry collection November, November navigates the grief of losing loved ones and recovery in the aftermath of her cancer diagnosis.
Taiwan Pulse: Ten Drum Art Percussion Group and the heartbeat of a culture
becky tu
May 26, 2025
Ten Drum Art Percussion Group presents the potential of Taiwanese performing arts with their exciting performances of music, visuals, and cultural stories.
Elegy for Opportunity: Natalie Lim’s debut collection explores collective grief
becky tu
April 7, 2025
A conversation on grief and empathy with Natalie Lim, whose debut poetry collection Elegy for Opportunity launches on April 8.
Lamia Chraibi’s Like a Spiral examines migrant domestic workers’ love-hate relationship with Beirut
becky tu
October 10, 2024
Like a Spiral amplifies the voices of migrant domestic workers in Beirut, where they are often rendered invisibile under the kafala system.
VQFF: Girls just wanna have fun in Rookie
becky tu
September 18, 2024
Filipino director Samantha Lee’s latest film Rookie is a teen lesbian romcom about volleyball, belonging, and girls supporting each other.
#JMFinAsia: Building transnational friendships and reclaiming mother tongues
becky tu
May 16, 2024
The inaugural Jade Music Fest in Asia drew crowds in Taipei as Asian Canadian music artists and Taiwanese musicians shared the stage.
Wide awake on queer and disability representation in Samantha Lee’s Sleep With Me
becky tu
April 11, 2024
In the liminal backdrop of the night, two girls fall in love. Sleep With Me by Filipino director Samantha Lee is a love story, and a story about lives lived on the fringe.
What it means to “love” in different languages – inspired by CBC Poetry Prize Winner Kyo Lee
becky tu
December 7, 2023
A perspective on how language affects our perception of the world and of ourselves. Inspired by CBC Poetry Prize winner Kyo Lee.
Not All Dragons: David Ly’s debut novel weaves together myth and self-identity
becky tu
May 25, 2026
VIFF 2025: Canada’s Hong Kong diaspora is seen in Finch & Midland
becky tu
October 2, 2025
November never left: Isabella Wang’s new poetry collection navigates grief and recovery
becky tu
September 11, 2025
Taiwan Pulse: Ten Drum Art Percussion Group and the heartbeat of a culture
becky tu
May 26, 2025
Elegy for Opportunity: Natalie Lim’s debut collection explores collective grief
becky tu
April 7, 2025
Lamia Chraibi’s Like a Spiral examines migrant domestic workers’ love-hate relationship with Beirut
becky tu
October 10, 2024
VQFF: Girls just wanna have fun in Rookie
becky tu
September 18, 2024
#JMFinAsia: Building transnational friendships and reclaiming mother tongues
becky tu
May 16, 2024
Wide awake on queer and disability representation in Samantha Lee’s Sleep With Me
becky tu
April 11, 2024
What it means to “love” in different languages – inspired by CBC Poetry Prize Winner Kyo Lee
becky tu
December 7, 2023
The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
This project is funded in part by the Government of Canada.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam Indian Band), Skwxwú7mesh (Squamish Nation), and Səl̓ílwətaɬ (Tsleil-Waututh Nation). With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.
This project is funded in part by the Government of Canada.
The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam), Skwxwú7mesh (Squamish), and Səl̓ílwətaɬ (Tsleil-Waututh) Nations. With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.