
Emily Jung finds artistic niche bridging language divide between Korean and English
Jung is workshopping her new play, Dead Korean Girl Comedy Show, with rice & beans theatre as part of its Polyphonic Translation Residency.
Jung is workshopping her new play, Dead Korean Girl Comedy Show, with rice & beans theatre as part of its Polyphonic Translation Residency.
Bones of Crows premiered at last year’s Toronto International Film Festival and opened the Vancouver International Film Festival.
Bancroft has thought a lot about her identity as the daughter of a Japanese immigrant woman and a white man who was born in the U.K.
Liu, a former resident of Wuxi, has come a long way since moving to Canada to study for a master’s degree in piano performance and pedagogy.
Lee demonstrates that he can be both funny and emotional in Kathleen Jayme’s lighthearted short tribute film.
Fé, a legendary Indigenous folk and blues musician, is recording a new album in Vancouver about ancestral waterways.
Verjee is a scholar, artist, arts administrator, and intellectual with a keen interest in cultural policies in Canada and around the world.
The Vancouver Island community of Paldi was populated by people of different races who worked, played, and attended school together.
Escamillan is the inaugural recipient, and it follows the dazzling world premiere of PIÑA at the SFU Goldcorp Centre for the Arts.
A trip to a Moose Jaw tourist attraction led Weiye Su to investigate the lives of Chinese immigrants to the city in the last century.
Pancouver aims to build a more equal and empathetic society by advancing appreciation of visual and performing arts—and cultural communities—through education. Our goal is to elevate awareness about underrepresented artists and their organizations.
The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam Indian Band), Skwxwú7mesh (Squamish Nation), and Səl̓ílwətaɬ (Tsleil-Waututh Nation). With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.
Pancouver strives to build a more equal and empathetic society by advancing appreciation of visual and performing arts—and cultural communities—through education. Our goal is to elevate awareness about underrepresented artists and the organizations that support them.
The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam), Skwxwú7mesh (Squamish), and Səl̓ílwətaɬ (Tsleil-Waututh) Nations. With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.