A trip to a Moose Jaw tourist attraction led Weiye Su to investigate the lives of Chinese immigrants to the city in the last century.
Greene, who was raised in Skidegate, painted Raven in the City for the Bright Futures exhibition at the Bill Reid Gallery of Northwest Coast Art.
Bair created a massive installation called Curled Map, which will remain on the building’s façade until March 1, 2024.
MAYDAY insists that choreographer Mélanie Demers doesn’t subject audiences to accusatory harangues or wallow in sterile resignation.
Murao chose the short films, which will be co-presented by The Cinematheque and the Powell Street Festival on Thursday (May 25).
Van Lefan, DJ CHIP$, Sophie Yung, and Iris Lee will all perform in the Granville Island Public Market Courtyard on Saturday afternoon.
The Korea Times has referred to Choi as the “Goddess of the Flute”.
Documentaries about Vietnam’s LGBTQ community and a Middle Eastern family in exile are among the films honoured at DOXA.
Junie, which is set in the Hogan’s Alley area of Vancouver in the 1930s, made the longlist for the Carol Shields Prize for Fiction.
The Chinese bamboo flute player has been unable to perform at major concerts for two decades due to injuries suffered in 2002 and 2005.
Pancouver aims to build a more equal and empathetic society by advancing appreciation of visual and performing arts—and cultural communities—through education. Our goal is to elevate awareness about underrepresented artists and their organizations.
The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam Indian Band), Skwxwú7mesh (Squamish Nation), and Səl̓ílwətaɬ (Tsleil-Waututh Nation). With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.
Pancouver strives to build a more equal and empathetic society by advancing appreciation of visual and performing arts—and cultural communities—through education. Our goal is to elevate awareness about underrepresented artists and the organizations that support them.
The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam), Skwxwú7mesh (Squamish), and Səl̓ílwətaɬ (Tsleil-Waututh) Nations. With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.