
Vasant Lakhani: A Heart Without Borders
Some stories begin with loss. Vasant Lakhani’s story begins with an expulsion.

Some stories begin with loss. Vasant Lakhani’s story begins with an expulsion.

The curator, Nina Buddhdev, explains how this series promotes healing while upholding the highest artistic standards.

The year ahead calls for a deepening of trust between people of different generations, sectors, and cultures.

Kathak artists Akshaya Surve, Puneet Singh, and Fiana Kawane performed at Shubham Bhavatu at the Evergreen Cultural Centre.

Through CHAI (Classical & Heritage Arts Initiative) sessions, classical artists are increasingly being woven into seasonal programming.

Let us honour what we experienced in Ragas That Colour the Mind—not as a fleeting event, but as a catalyst.

Buddhdev, a B.C. cultural arts strategist and heritage arts activist, identifies 10 urgent issues facing cultural leaders.







The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
This project is funded in part by the Government of Canada.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam Indian Band), Skwxwú7mesh (Squamish Nation), and Səl̓ílwətaɬ (Tsleil-Waututh Nation). With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.
This project is funded in part by the Government of Canada.
The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam), Skwxwú7mesh (Squamish), and Səl̓ílwətaɬ (Tsleil-Waututh) Nations. With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.
Independent arts journalism needs readers like you!
If you value stories like this, please consider supporting Pancouver.