
How AI resurrects racist stereotypes and disinformation—and why fact‑checking isn’t enough
Thanks to algorithmic systems, AI narratives that tap into deep-seated fears and anxieties travel farther and faster than ever before.

Thanks to algorithmic systems, AI narratives that tap into deep-seated fears and anxieties travel farther and faster than ever before.

A Reel Asian International Film Festival jury described Joan Chen’s performance in Montreal, ma belle as “nothing short of a revelation”.

Cultural policy must protect equity-driven practices and embed care, accountability, and relationality as foundational principles.

The risk is that Sinners is celebrated as a one-off, rather than understood as part of a wider shift in Black creative possibility.

Before Beyoncé, before Cher, before Madonna, there was Googoosh.

The premier says that his government is strengthening Holocaust education in the curriculum so every student understands this genocide.

The Voice of Hind Rajab received a 23-minute standing ovation when it premiered at the Venice Film Festival.

Netflix’s animated KPop Demon Hunters follows adventures of a fictional Kpop girl group (Huntrix) whose members hunt demons by night.

The Heated Rivalry obsession is widespread, having topped Crave’s No. 1 most-watched spot for weeks and taken global audiences by storm.

Qian Liu, the author of a book on this subject, explains why the children of immigrants often feel such pressure to succeed.










The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
This project is funded in part by the Government of Canada.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam Indian Band), Skwxwú7mesh (Squamish Nation), and Səl̓ílwətaɬ (Tsleil-Waututh Nation). With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.
This project is funded in part by the Government of Canada.
The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam), Skwxwú7mesh (Squamish), and Səl̓ílwətaɬ (Tsleil-Waututh) Nations. With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.
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