Aboriginal artist and broadcaster Destiny Deacon embraced “Blak” as a term of Indigenous empowerment long before the emergence of AI.
The brick crosses in The Mush Hole represent the architecture of colonialized residential schools in which students were reduced to numbers.
Recent profiles in The Atlantic and The New York Times have elevated the controversial Fuentes into practically a household name.
Few Nigerian popular musicians have shown as much staying power as the man behind the #ElloBae and #WehDoneSir social media trends.
In his most recent book, Teebi addresses how language obscures the degree of suffering inflicted on Palestinian people.
Speaking rapidly into a microphone in Uganda, they comment loudly and continuously, often drowning out the sound of the film itself.
A scholar of Holocaust literary and film narratives explains why she is troubled by the presentation of fictionalized Holocaust atrocities.
Like many enslaved Africans, Apongo had two names. Neither of them completely unlocks his back story.
Jaylene Tyme’s humorous yet personal storytelling as an Indigenous two-spirited transgender woman was one of the highlights.
These objects reflect stories of Filipinos who were resourceful, creative, and filled with hope in the face of racism and legal exclusion.
The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
This project is funded in part by the Government of Canada.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam Indian Band), Skwxwú7mesh (Squamish Nation), and Səl̓ílwətaɬ (Tsleil-Waututh Nation). With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.
This project is funded in part by the Government of Canada.
The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam), Skwxwú7mesh (Squamish), and Səl̓ílwətaɬ (Tsleil-Waututh) Nations. With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.
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