
African novels are being translated to English in a bold new trend. We review Ignatius Mabasa’s The Mad
The Mad is the English title of Mapenzi, and it’s included in a new series called African Language Literatures in Translation.

The Mad is the English title of Mapenzi, and it’s included in a new series called African Language Literatures in Translation.

While the Binners’ Project is dedicated to fostering a supportive community, it also aims to make a broader impact.

Lew feels that he is carrying on her legacy and sacrifice through his own pursuit of music.

Le rapport Souffler les braises doit être compris non comme un aboutissement, mais comme un point de départ.

The fundraiser will begin at 6 p.m. on Thursday (September 25) at Floata Restaurant in Chinatown.

The family’s playlists evolved with the decades—Taiwanese folk songs to 1980s pop—always with CDs stacked near the car stereo.

Residential school denialism, as historian Crystal Gail Fraser has outlined, is an attack on truth.

Boon and Stephanie’s families shared a deep appreciation for the arts, from music to ballroom dancing to magic.

Jimmy Teh grew up in Rangoon, Burma (currently known as Yangon, Myanmar) in a family with musical roots.

The photographic practice of U.K.-based Nigerian Michael Oyinbokure shows how African artists construct counter-narratives.










The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
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We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam Indian Band), Skwxwú7mesh (Squamish Nation), and Səl̓ílwətaɬ (Tsleil-Waututh Nation). With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.
This project is funded in part by the Government of Canada.
The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam), Skwxwú7mesh (Squamish), and Səl̓ílwətaɬ (Tsleil-Waututh) Nations. With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.
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