
I’m Still Here: a vibrant testament to female resilience that mourns Brazil’s dark past
Director Walter Salles’s first feature film since 2012, the Oscar-nominated I’m Still Here is a return to home ground.

Director Walter Salles’s first feature film since 2012, the Oscar-nominated I’m Still Here is a return to home ground.

No Other Land, a documentary about Palestinian townsfolk resisting the demolition of their villages, has not found a U.S. distributor.

Cissé, widely acknowledged as one of the greatest African filmmakers of all time, has passed away at the age of 84 in Bamako, Mali.

Screenwriters try to craft characters outside their own backgrounds and experiences. But concerns about authentic representation persist.

The U.S. State Department’s previous briefings said: “We do not support Taiwan independence.” This disappeared on February 13 2025.

O.Dela Arts will present four nights of Matriarchs Uprising live performances in partnership with the Dance Centre.

The director admitted that he didn’t do much research on Mexico before and during the filming of Emilia Pérez.

Williams College art historian Caroline Fowler writes about Rembrandt van Rijn in her new book, Slavery and the Invention of Dutch Art.

Teresa Wing Sum Tse wrote this poem at the first meeting that she attended in the Creative Writing Club at Columbia College.

Sapeurs have been dressing like colourful dandies for years in Africa. Now, the trend has started showing up in North America.










The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
This project is funded in part by the Government of Canada.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam Indian Band), Skwxwú7mesh (Squamish Nation), and Səl̓ílwətaɬ (Tsleil-Waututh Nation). With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.
This project is funded in part by the Government of Canada.
The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam), Skwxwú7mesh (Squamish), and Səl̓ílwətaɬ (Tsleil-Waututh) Nations. With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.
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