
Baby Reindeer: How police could have prevented Martha’s stalking from getting worse
A PhD student in forensic criminal psychology at SFU offers his take on a popular Netflix miniseries about stalking.

A PhD student in forensic criminal psychology at SFU offers his take on a popular Netflix miniseries about stalking.

Many arts graduate students aspire to become professors but Canada produces far more doctorates than available academic jobs.

The keffiyeh, a symbol of Palestinian culture and heritage, was banned in the Legislative Assembly of Ontario in March by the Speaker.

According to author Haley McEwen, Christian pro-family campaigning in Africa today can be viewed as retooling colonial control mechanisms.

A Wilfred Laurier University prof argues that representations of Drake render Canadian Blackness and Canadian anti-Black racism invisible.

Salehi, an outspoken critic of the Iranian regime, was arrested after singing about widespread corruption in his country.

Taiwan’s minister of health, Hseuh, is urging the World Health Organization to support his country’s inclusion in overseeing global health.

Swatantrya Veer Savarkar, a biopic on an ardent advocate of a purely Hindu nation, was released a few weeks before this year’s elections.

Though the current scale of pediatric amputation is unprecedented, the loss of limbs has been an all-too-common Palestinian experience.

JYP Entertainment recently launched VCHA, a K-pop band whose members all hail from Canada and the United States.










The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
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We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam Indian Band), Skwxwú7mesh (Squamish Nation), and Səl̓ílwətaɬ (Tsleil-Waututh Nation). With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.
This project is funded in part by the Government of Canada.
The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam), Skwxwú7mesh (Squamish), and Səl̓ílwətaɬ (Tsleil-Waututh) Nations. With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.
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