Chawla says that the council has seen an increase in applications, along with higher average grant requests across many of its programs.
University of Regina scholar Taiwo Afolabe reflects on the significance of socially engaged theatre in the wake of COP28.
Cord Jefferson’s American Fiction offers a chance to discuss race, power and white supremacy within intellectual and cultural spaces.
Museum-based wellness activities range from yoga to guided meditations with works of art, as well as the practice of slow contemplation.
The Eby-led B.C. government previously launched a new anti-hate fund to help protect synagogues and other gathering places.
Despite diverging from some of the history, The Blue Eye Samurai is an enjoyable, fairly accurate, and sumptuous tale of Edo-era Japan.
Former Vancouver city councillor and Order of B.C. recipient Tung Chan offers his thoughts on the significance of the Jade Music Fest.
In films such as Tar and Divertimento, you can sense the halo of mystery that surrounds the figure of the conductor.
There’s no consensus about when izikhothane emerged, but there’s reason to believe the ukukhothana subculture can be traced back to 2005,
Environment Minister Shieu seeks equal access for Taiwanese people to the work of the United Nations Framework Convention on Climate Change.
The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
This project is funded in part by the Government of Canada.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam Indian Band), Skwxwú7mesh (Squamish Nation), and Səl̓ílwətaɬ (Tsleil-Waututh Nation). With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.
This project is funded in part by the Government of Canada.
The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam), Skwxwú7mesh (Squamish), and Səl̓ílwətaɬ (Tsleil-Waututh) Nations. With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.
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