
Nigeria’s slick Netflix epic, Jagun Jagun, explores a rich past that also reflects the world today
A drama, theatre, and film studies professor reviews Jagun Jagun, which revolves around a warlord named Ogunjimi in pre-colonial Nigeria.
A drama, theatre, and film studies professor reviews Jagun Jagun, which revolves around a warlord named Ogunjimi in pre-colonial Nigeria.
Sainte-Marie became an Indigenous icon, despite the Lyndon B. Johnson administration’s attempt to keep her music off the airwaves.
Here are the anthems for the Woman, Life, Freedom movement in Iran that began with last year’s killing of Jina Mahsa Amini.
Past Lives is Celine Song’s debut film about the Korean diaspora, focusing on two people who were deeply connected in childhood.
The Nigerian writer’s brilliant second novel, A Spell of Good Things, has been longlisted for the Booker Prize 2023.
According to a U.S.-based Korean scholar, South Korea finds itself embroiled in an all-out gender war—and it keeps getting worse.
Lush photography neatly punctuates each of the chapters, guiding the reader smoothly through each BTS era.
Beautiful The Artist and other deaf dip hop performers are subverting some preconceived notions about music.
A lecturer at Nelson Mandela University says that “umlungu” demonstrates how the meaning of a word can change to reflect a changing society.
Orgies conjure in our imagination the world of Greek and Roman Antiquity, thanks to films portraying debauched emperors.
The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam Indian Band), Skwxwú7mesh (Squamish Nation), and Səl̓ílwətaɬ (Tsleil-Waututh Nation). With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.
The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam), Skwxwú7mesh (Squamish), and Səl̓ílwətaɬ (Tsleil-Waututh) Nations. With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.