Japanese writer Haruki Murakami has written 15 novels, including The City and Its Uncertain Walls, which was published in Japan this year.
University of Nigeria lecturer Ezinne Ezepue has chronicled the rise of the “New Nollywood”, which is reshaping the country’s film industry.
An associate professor of human rights and international law, Amy Maguire, offers insights into a contentious vote in Australia.
Writer Amara Pope’s doctoral research has examined how Drake, Bieber and Jessie Reyez approach R&B music—and build Canadian lifestyle brands.
Since the release of Purple Hibiscus, Chimamanda Ngochi Adichie’s fame has grown with more novels and a collection of short stories.
When Grier played Coffy in 1973, American International Pictures was confident that her eponymous character was a supercharged heroine.
When India invited G20 delegates to dinner with “the President of Bharat”, it may have looked like a postcolonial course correction.
Drawing links between motor control and rhythm perception may help us make sense of the underlying causes of some neurological disorders.
Métis poet and author Katherena Vermette wrote two of the novels on this list—The Break and The Strangers.
When the silent German queer movie Anders als die Andern (Different from the Others) premiered in 1919, it was an instant audience success.
The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
This project is funded in part by the Government of Canada.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam Indian Band), Skwxwú7mesh (Squamish Nation), and Səl̓ílwətaɬ (Tsleil-Waututh Nation). With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.
This project is funded in part by the Government of Canada.
The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam), Skwxwú7mesh (Squamish), and Səl̓ílwətaɬ (Tsleil-Waututh) Nations. With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.
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