For more than five decades, Parsipur wrote women into spaces from which they had often been excluded, including storytelling.
In 1990, March Student Movement activists gathered in Chiang Kai-shek Memorial Hall Plaza in Taipei to demand democracy for Taiwan.
Kaur will bring her Punjabi folk, Sufi, hip-hop, and R&B-inspired music to the Vancouver Playhouse at 7 p.m. on Saturday (July 11).
Empathie centres around Suzanne, a psychiatrist, and her work with mentally ill patients in a high-security psychiatric hospital.
Peut-on transplanter une cérémonie du thé chinoise millénaire dans le sol québécois sans la dénaturer et imposer strictement ses codes ?
A retired librarian wants Ferdinand “Bongbong” Marcos Jr. to hear her plea for clemency for Mary Jane Veloso during his trip to Canada.
The beat of the nation will be heard across six time zones on Canada Day, including at Lansdowne Centre in Richmond.
From Bad Bunny to Bizet, artists appeal to shared principles and patterns to connect people across cultures, languages, and generations.
One of those writers is Evelyn Lau, who will speak at the LiterASIAN event When Railways Were Highways: Remembering Jim Wong-Chu’s Legacy.
To generate a scene, you must do for the machine what earlier novelists did for readers: translate objects, spaces, and moods into words.
The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
This project is funded in part by the Government of Canada.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam Indian Band), Skwxwú7mesh (Squamish Nation), and Səl̓ílwətaɬ (Tsleil-Waututh Nation). With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.
This project is funded in part by the Government of Canada.
The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam), Skwxwú7mesh (Squamish), and Səl̓ílwətaɬ (Tsleil-Waututh) Nations. With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.
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