
Who lived at Machu Picchu? DNA analysis shows surprising diversity at the ancient Inca palace
Research suggests that Machu Picchu residents were born elsewhere and arrived independently, occasionally forming relationships and having children.
Research suggests that Machu Picchu residents were born elsewhere and arrived independently, occasionally forming relationships and having children.
According to comparative literature scholar Francesca Negro, Chiziane has remained unwavering in amplifying women’s voices in her country.
In response to court challenges, India’s Supreme Court ordered that a disclaimer be added to The Kerala Story about its claims.
Music festivals are important not only in terms of programming, but also as forms of community-based education and activism.
When language drives AI image generation, it adds an extra barrier between the artist and the digital canvas.
As curator of the Lang collection, Qanita Lilla feels compelled to find new ways to enliven African art at Queen’s University.
Territorial disputes run deep in Southeast Asia, and that explains why residents of Vietnam can’t see Barbie in theatres.
The B.C. government invested more than $48.5 million in the museum to help it share stories about Chinese Canadians’ contributions to Canada.
It’s unclear who threw the first brick at the Stonewall Inn on that night that arguably launched the gay rights liberation movement.
Scholar Philip Ewell says that when it comes to achieving racial diversity, university-level music education still has a long way to go.
The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam Indian Band), Skwxwú7mesh (Squamish Nation), and Səl̓ílwətaɬ (Tsleil-Waututh Nation). With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.
The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam), Skwxwú7mesh (Squamish), and Səl̓ílwətaɬ (Tsleil-Waututh) Nations. With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.