
Marjane Satrapi’s masterpiece, Persepolis, transformed the world’s understanding of Iran
Satrapi illustrated the dislocations of revolution, migration, adolescence and return.

Satrapi illustrated the dislocations of revolution, migration, adolescence and return.

Hriday Buddhdev will make his international debut on June 3 at the Nehru Centre in London—one of the U.K.’s most storied Indian arts venues.

Wanjara Nomad Collections makes the case for Canada not confusing colonial archival continuity with historical justice.

Poetry belongs where people gather. It can enter a library, a classroom, a transit station, a public square or a commemoration.

Several approaches can help manage news fatigue and protect mental health.

Racial microaggressions, specifically, are experiences of racism that take the form of slights, exclusions, assumptions, and invalidation.

Producers can now submit films to the fourth annual Sundar Prize Film Festival, which will take place in April 2027.

The novel follows fictional Japanese novelist Aoyama Chizuko and her Taiwanese interpreter, Ō Chizuru as they travel across colonial Taiwan.

The challenges of an aging population and workforce shortages mean that digital transformation in healthcare is now essential.

The “AI disclosure penalty” reminds us that the consumption of art is not tied to purely aesthetic considerations.










The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
This project is funded in part by the Government of Canada.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam Indian Band), Skwxwú7mesh (Squamish Nation), and Səl̓ílwətaɬ (Tsleil-Waututh Nation). With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.
This project is funded in part by the Government of Canada.
The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam), Skwxwú7mesh (Squamish), and Səl̓ílwətaɬ (Tsleil-Waututh) Nations. With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.
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