
How K-dramas use Africa as a backdrop to boost South Korea’s image
Despite their engagement with K-drama, African audiences can only ever seem to see themselves represented through a colonial gaze.

Despite their engagement with K-drama, African audiences can only ever seem to see themselves represented through a colonial gaze.
The first time that Kanika Samuels Wortley’s security system misidentified her, she was sitting at her patio having coffee.

A lesser-known fact of Canadian history is that Métis people have routinely asserted their Indigeneity and rights through legal means.

A growing body of research suggests that arts engagement can contribute to health and well-being, including in educational settings.

An excerpt from Cho’s new book, Brotherhood is a Constant Possibility: Asian Masculinity in a World Made for Whiteness (Thornapple Press).

In international law, investigation of the truth surrounding gross human rights violations is a state obligation.

Our lives hold an inherent multiplicity of stories composed, lived, and narrated along shifting plot lines that unfold through time.

From a kirin troupe to worn gravestone inscriptions, Hakka scholar Yao Xiao is redefining the word “guest” inside a mall on Keefer Street.

Diversity, equity, and inclusion policies should not be abolished. They should be modernized, strengthened, and made fairer.

For immigrant and racialized students, belonging can be especially complex.









The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
This project is funded in part by the Government of Canada.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam Indian Band), Skwxwú7mesh (Squamish Nation), and Səl̓ílwətaɬ (Tsleil-Waututh Nation). With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.
This project is funded in part by the Government of Canada.
The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam), Skwxwú7mesh (Squamish), and Səl̓ílwətaɬ (Tsleil-Waututh) Nations. With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.
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