
In Suddenly Slaughter, Vancouver director Aryo Khakpour delves into an unpleasant reality faced by diasporic artists
Suddenly Slaughter is an adaptation of theatrical piece that Khakpour and brother Arash presented at the Push festival in 2019.
Suddenly Slaughter is an adaptation of theatrical piece that Khakpour and brother Arash presented at the Push festival in 2019.
Vancouver businessman Barj Dhahan (seen holding an issue of Pancouver) founded the award in 2013 to promote Punjabi literature.
The Kelowna-based Lavina explains that it relates to “carefully discerning in life what is valuable in the long run”.
Shigematsu and director Kaitlin Williams are re-imagining the hit show for the theatre company’s 40th-anniversary season.
The Dance Centre’s 22nd annual event is on Saturday (September 16), featuring free classes all day and a world premiere at night.
Rosario Ancer, the company’s artistic and executive director, will give a masterclass at the Waterfront Theatre on Monday (September 18).
Samsi mentored for more than two decades under tabla guru Ustad Allah Rakha Khan—the father of famed musician Zakir Hussain.
In addition to Musqueam artists, the festival includes performances by Young Spirit Singers, Zoon, Tia Wood, Mato Wayhi, and others.
Ferrer wants to introduce folks to languages from the Philippines that they may not have heard and move away from a singular focus on Tagalog
卑诗省的主流媒体几乎从不关注白人议题。然而,最新的温哥华美术馆展览《白之观念(Conceptions of White)》可能会改变这一现状。由 John G. Hampton 和 Lillian O’Brien-David 联合策划的《白之观念》展览深入探讨白人身份和族群如何形塑世界。根据 O’Brien-David 的说法,这项展览「提供了详细的文化背景和细腻的见解,帮助大众理解当代白人身份的不同面向」。位于加拿大里贾纳 (Regina) 的麦肯齐美术馆(MacKenzie Art Gallery)协助此项展览的展品策划,其中包含了对白人议题正反两方的观点呈现。
The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam Indian Band), Skwxwú7mesh (Squamish Nation), and Səl̓ílwətaɬ (Tsleil-Waututh Nation). With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.
The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam), Skwxwú7mesh (Squamish), and Səl̓ílwətaɬ (Tsleil-Waututh) Nations. With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.