
Experimental bassist Farida Amadou embraces the unconventional—in music and in life
Amadou, an artist in residence at the Vancouver International Jazz Festival, plays bass in ways that nobody else has imagined before.
Amadou, an artist in residence at the Vancouver International Jazz Festival, plays bass in ways that nobody else has imagined before.
Jung is workshopping her new play, Dead Korean Girl Comedy Show, with rice & beans theatre as part of its Polyphonic Translation Residency.
Bancroft has thought a lot about her identity as the daughter of a Japanese immigrant woman and a white man who was born in the U.K.
Liu, a former resident of Wuxi, has come a long way since moving to Canada to study for a master’s degree in piano performance and pedagogy.
Lee demonstrates that he can be both funny and emotional in Kathleen Jayme’s lighthearted short tribute film.
Fé, a legendary Indigenous folk and blues musician, is recording a new album in Vancouver about ancestral waterways.
Escamillan is the inaugural recipient, and it follows the dazzling world premiere of PIÑA at the SFU Goldcorp Centre for the Arts.
对跨领域艺术家Rebecca (Becky) Bair来说,「黑人性」(blackness)代表着人多势众和机会。身为素里黑人艺术中心(Black Arts Centre)董事的她强调,在纪录黑人历史时,仅聚焦于他们遭遇的残酷待遇并不足够。Becky透过电话向Pancouver表示,黑人性在广泛层面是关乎喜悦、爱和社区。然而,她认为本应纪录往事的政府文件未能反映黑人性的全貌。
對跨領域藝術家Rebecca (Becky) Bair來說,「黑人性」(blackness)代表著人多勢眾和機會。身為素里黑人藝術中心(Black Arts Centre)董事的她強調,在紀錄黑人歷史時,僅聚焦於他們遭遇的殘酷待遇並不足夠。
Greene, who was raised in Skidegate, painted Raven in the City for the Bright Futures exhibition at the Bill Reid Gallery of Northwest Coast Art.
The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam Indian Band), Skwxwú7mesh (Squamish Nation), and Səl̓ílwətaɬ (Tsleil-Waututh Nation). With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.
The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam), Skwxwú7mesh (Squamish), and Səl̓ílwətaɬ (Tsleil-Waututh) Nations. With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.