Museum of Anthropology at UBC presents first exhibition dedicated to Nuxalk Nation

Nuxalk Strong Museum of Anthropology
Carpenter Anuximana–Jade Hanuse holds her paddle, Raven Led the Way, at the Freda Diesing School of Northwest Coast Art, Coast Mountain College. MOA Collection MOA 3631/1. Photo by Jennifer Kramer, courtesy of MOA.

The Nuxalk people have had their own law since they descended from the eyelashes of the sun from the house of Alkw’ntam.

“Our ancestors used their teachings to create these laws and to build a complex, resilient, and effective society,” the Nuxalk Nation states on its website. “They documented our knowledge system so that future generations would continue to learn and practise Nuxalk ways of being in the world.”

Now, for the first time, this Indigenous Nation based in Bella Coola, B.C. is showcasing its rich culture at the Museum of Anthropology of B.C. It’s the world’s first museum exhibition solely devoted to the Nuxalk Nation.

Nuxalk Strong: Dancing Down the Eyelashes of the Sun includes belongings housed in private collections and from the MOA, along with five other museums: Royal British Columbia Museum (Victoria), Burke Museum (Seattle), Glenbow Museum (Calgary), Manitoba Museum (Winnipeg), and Museum of Vancouver. The co-curators are Dr. Snxakila–Clyde Tallio, who is director of culture and language for Nuxalk Nation, and Dr. Jennifer Kramer, who is the MOA Pacific Northwest curator, Pacific Northwest.

Nuxalk Museum of Anthropology
Exhibition co-curator Snxakila–Clyde Tallio holds the Nuxalk sun mask depicting Alhkw’ntam, the Creator and his four Carpenters. Photo by Jennifer Kramer, courtesy of the Museum of Anthropology at UBC.

Museum exhibits unique Nuxalk aesthetic and style

“The display of these belongings expresses the importance of Nuxalk reconnection with their material heritage, made by the hands of their Ancestors,” the MOA website states. “Depicting the distinct and unique Nuxalk aesthetic and style, these treasures continue to inspire contemporary Nuxalk carpenters, artists and weavers to create ceremonial regalia, masks, rattles and other cherished items to once again tell the Smayusta—ancestral family origin stories.”

Moreover, the exhibition illustrates the Nuxalk Nation’s efforts to revive ancestral government, laws, and protocols. In addition, it draws attention to measures being taken to restore the Nuxalk language land stewardship practices, as well as awaken Nuxalk spirituality and ceremonial practices.

The Nuxalk Nation has a population of 1,830 living on- and off-reserve, according to Statistics Canada. It’s part of the Wuikinuxv-Kitasoo-Nuxalk Tribal Council.

Museum of Anthroplogy
Sputc (eulachan) pole stands at the shore of the Bella Coola River in Q’umk’uts, waiting to be re-dressed in new cedar bark regalia to welcome the return of the fish run in March, 2025. Created by carpenter Wiiaqa7ay–Lyle Mack, 2014. Photo by Cody Rocko, courtesy of the Museum of Anthropology at UBC.

Nuxalk Strong: Dancing Down the Eyelashes of the Sun continues at the Museum of Anthropology at UBC until January 5, 2026. For more information, visit the museum’s website. Follow Pancouver on X @PancouverMedia and Bluesky @pancouver.bsky.social. Pancouver is also on Instagram @PancouverMedia. In addition, follow Charlie Smith on Bluesky @charliesmithvcr.bsky.social.

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Charlie Smith

Pancouver editor Charlie Smith has worked as a Vancouver journalist in print, radio, and television for more than three decades.

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The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.

We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam Indian Band), Skwxwú7mesh (Squamish Nation), and Səl̓ílwətaɬ (Tsleil-Waututh Nation). With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.

This project is funded in part by the Government of Canada.

The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.

We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam), Skwxwú7mesh (Squamish), and Səl̓ílwətaɬ (Tsleil-Waututh) Nations. With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.

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