P!SCO guitarist Rachel Hsu is an LGBTQ icon in Taiwan for championing same-sex marriage and for publicly sharing her transgender journey.
Chapel Sound Art Foundation co-curates TECTONIC with Cadena and the Barangay Project Society at šxʷƛ̓ənəq Xwtl’e7énḵ Square.
In Locust, Liu Wei-chen plays a mute restaurant worker who helps a local street gang collect debts.
Leith Davis, director of the Centre for Scottish Studies at SFU, will discuss how literature has shaped perceptions about Jacobite history.
ZiXuan Huang says that the band’s name was inspired by the close connection between trains and the Hakka population of Taiwan.
How do different generations navigate the lived experience of the Asian diaspora?
Panel Info:
Date: Thursday, November 13, 2025
Panel Time: 6:30 pm – 8:00 pm
Location: Central Library
“Chinese” can be a very complex word, especially in mainstream media.
Panel Info:
Date: Friday, November 14, 2025
Panel Time: 2:30 pm – 4:00 pm
Location: Central Library
Estrada, a Mexican singer-songwriter, will perform at the Chan Centre for the Performing Arts on UBC’s Point Grey campus.
Generally, either a publisher or an agent will ask you for a query letter introducing yourself and your book, along with a
According to a letter obtained by Canadian Press, Ming Pao Daily News will terminate 60 employees in B.C. and Ontario.
The brick crosses in The Mush Hole represent the architecture of colonialized residential schools in which students were reduced to numbers.
Recent profiles in The Atlantic and The New York Times have elevated the controversial Fuentes into practically a household name.
Few Nigerian popular musicians have shown as much staying power as the man behind the #ElloBae and #WehDoneSir social media trends.
One of the cofounders, Arman Kazemi, says that he is constantly gaining context about Southwest Asia and North Africa, a.k.a. MENA.
An online petition demanded that the Vancouver Symphony Orchestra confirm that it will not pursue legal action against Esther Hwang.
Toronto singer-songwriter Chinyi C likes to describe her music as “soothing, borderless folk-pop”.
The curator, Nina Buddhdev, explains how this series promotes healing while upholding the highest artistic standards.
By every measure, shifting from fossil fuels to electrification, renewable energy, and conservation is far more beneficial to most people.
The Vancouver anti-disciplinary artist travelled more than 10,000 kilometres to reveal the impact of Israeli bombs on her ancestral village.
Vengai Chihota’s Serene is one of many Zimbabwean works of art available through Ontario-based ZIM Sculpture Gallery.
In “What We Carry into the New Year”, the Canadian poet writes from a sweetness that has survived winter, time, and the knowledge of hurt.
In his most recent book, Teebi addresses how language obscures the degree of suffering inflicted on Palestinian people.
Speaking rapidly into a microphone in Uganda, they comment loudly and continuously, often drowning out the sound of the film itself.
A scholar of Holocaust literary and film narratives explains why she is troubled by the presentation of fictionalized Holocaust atrocities.
Leith Davis, director of the Centre for Scottish Studies at SFU, will discuss how literature has shaped perceptions about Jacobite history.
ZiXuan Huang says that the band’s name was inspired by the close connection between trains and the Hakka population of Taiwan.
How do different generations navigate the lived experience of the Asian diaspora?
Panel Info:
Date: Thursday, November 13, 2025
Panel Time: 6:30 pm – 8:00 pm
Location: Central Library
“Chinese” can be a very complex word, especially in mainstream media.
Panel Info:
Date: Friday, November 14, 2025
Panel Time: 2:30 pm – 4:00 pm
Location: Central Library
The Little Mountain Gallery comedy club is situated in a heritage building in Gastown.
Thomas Piketty says the ideology of people in power in the United States and many
The “Cherokee syndrome” is a phenomenon in which someone bases a shallow Indigenous identity on an unverified distant Cherokee ancestor.
Former Powell Street Festival executive director Emiko Morita curated Return to Paueru Gai and edited a new book with the
For the final concert, Tung will collaborate with Juno-nominated Métis singer songwriter/composer Wayne Lavallee.
It may seem difficult—especially after ignoring scientific warnings—but we can shift rapidly from fossil fuels to renewable energy.
Lame became famous for reacting to absurd “life hack” videos with a blank, slightly annoyed face, showing the hack wasn’t
The poem juxtaposes elements such as AI, tariffs, and oil prices with the ephemeral presence of the cherry blossom.
Organized on International Day for the Elimination of Racial Discrimination, the event was attended by several politicians.
Singh will be accompanied by Mohan Bhide on harmonium and Sunny Matharu on tabla at Basant Ke Rang on March
Pillion is a love story about connection and self-discovery through submission, pain, and bootlicking.
Piano teacher Lynn Liu launched the Vancouver International Music Competition in 2017 with the help of volunteers.
The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
This project is funded in part by the Government of Canada.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam Indian Band), Skwxwú7mesh (Squamish Nation), and Səl̓ílwətaɬ (Tsleil-Waututh Nation). With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.
This project is funded in part by the Government of Canada.
The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam), Skwxwú7mesh (Squamish), and Səl̓ílwətaɬ (Tsleil-Waututh) Nations. With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.
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