“I grew up never seeing myself on-screen, and it’s really important to give people who look like me a chance to see themselves.” – actor Sandra Oh
Bair created a massive installation called Curled Map, which will remain on the building’s façade until March 1, 2024.
Greene, who was raised in Skidegate, painted Raven in the City for the Bright Futures exhibition at the Bill Reid Gallery of Northwest Coast Art.
Jung is workshopping her new play, Dead Korean Girl Comedy Show, with rice & beans theatre as part of its Polyphonic Translation Residency.
Bancroft has thought a lot about her identity as the daughter of a Japanese immigrant woman and a white man who was born in the U.K.
Liu, a former resident of Wuxi, has come a long way since moving to Canada to study for a master’s degree in piano performance and pedagogy.
Lee demonstrates that he can be both funny and emotional in Kathleen Jayme’s lighthearted short tribute film.
Fé, a legendary Indigenous folk and blues musician, is recording a new album in Vancouver about ancestral waterways.
Escamillan is the inaugural recipient, and it follows the dazzling world premiere of PIÑA at the SFU Goldcorp Centre for the Arts.
On May 28, Yoshida will offer a filmmaking masterclass with YVR Screen Scene in the wake of winning the SXSW Music Video Jury Award.
Lefan, who’s based in Vancouver, created a lush music video for “The Lesson” in traditional Paiwan territory in Taitung County in Taiwan.
Sum, a theatre and musical artist, will combine both of her art forms at the Cultch Historic Theatre from May 11 to 14.
Jolene Mitton founded the event in 2017 because she saw a need to improve the
The VAG is presenting Guud sans glans Robert Davidson: A Line That Bends But Does
Bair created a massive installation called Curled Map, which will remain on the building’s façade until March 1, 2024.
Greene, who was raised in Skidegate, painted Raven in the City for the Bright Futures exhibition at the Bill Reid Gallery of Northwest Coast Art.
Jolene Mitton founded the event in 2017 because she saw a need to improve the
The VAG is presenting Guud sans glans Robert Davidson: A Line That Bends But Does
Jung is workshopping her new play, Dead Korean Girl Comedy Show, with rice & beans theatre as part of its
Bancroft has thought a lot about her identity as the daughter of a Japanese immigrant woman and a white man
Liu, a former resident of Wuxi, has come a long way since moving to Canada to study for a master’s
Lee demonstrates that he can be both funny and emotional in Kathleen Jayme’s lighthearted short tribute film.
Fé, a legendary Indigenous folk and blues musician, is recording a new album in Vancouver about ancestral waterways.
Escamillan is the inaugural recipient, and it follows the dazzling world premiere of PIÑA at the SFU Goldcorp Centre for
On May 28, Yoshida will offer a filmmaking masterclass with YVR Screen Scene in the wake of winning the SXSW
Lefan, who’s based in Vancouver, created a lush music video for “The Lesson” in traditional Paiwan territory in Taitung County
Sum, a theatre and musical artist, will combine both of her art forms at the Cultch Historic Theatre from May
Pancouver aims to build a more equal and empathetic society by advancing appreciation of visual and performing arts—and cultural communities—through education. Our goal is to elevate awareness about underrepresented artists and their organizations.
The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam Indian Band), Skwxwú7mesh (Squamish Nation), and Səl̓ílwətaɬ (Tsleil-Waututh Nation). With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.
Pancouver strives to build a more equal and empathetic society by advancing appreciation of visual and performing arts—and cultural communities—through education. Our goal is to elevate awareness about underrepresented artists and the organizations that support them.
The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam), Skwxwú7mesh (Squamish), and Səl̓ílwətaɬ (Tsleil-Waututh) Nations. With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.
