“I grew up never seeing myself on-screen, and it’s really important to give people who look like me a chance to see themselves.” – actor Sandra Oh
Seagrass, the B.C. filmmaker’s debut feature, will be screened at the Toronto and Vancouver international film festivals.
In Filipino folklore, an aswang is an evil, shape-shifting character that can resemble a werewolf, vampire, or ghoul.
This year, Lee also appeared in Astrolabe Musik Theatre’s production of Into the Little Hill and presented her own choreographed work, Luna.
Kiran has incorporated salsa, hip-hop, house, and even an element of ballet into a new production by Theatre Under the Stars.
Inspired by real events, it revolves around a school district’s decision to stop a lesbian teenager from taking her girlfriend to a prom.
She founded her film-industry website in 2018, not realizing at the time that it could be leveraged to support people around the world.
Dutch Cultural Association of B.C. director Irwin Oostindie is helping TAIWANfest present Dutch artists, films, and authors later this year.
Amadou, an artist in residence at the Vancouver International Jazz Festival, plays bass in ways that nobody else has imagined before.
Jung is workshopping her new play, Dead Korean Girl Comedy Show, with rice & beans theatre as part of its Polyphonic Translation Residency.
Bancroft has thought a lot about her identity as the daughter of a Japanese immigrant woman and a white man who was born in the U.K.
Liu, a former resident of Wuxi, has come a long way since moving to Canada to study for a master’s degree in piano performance and pedagogy.
The Dance Centre’s 22nd annual event is on Saturday (September 16), featuring free classes all
This month marks another round of global youth climate strikes. Young folks are demanding a “rapid,
Seagrass, the B.C. filmmaker’s debut feature, will be screened at the Toronto and Vancouver international film festivals.
In Filipino folklore, an aswang is an evil, shape-shifting character that can resemble a werewolf, vampire, or ghoul.
The Dance Centre’s 22nd annual event is on Saturday (September 16), featuring free classes all
This month marks another round of global youth climate strikes. Young folks are demanding a “rapid,
This year, Lee also appeared in Astrolabe Musik Theatre’s production of Into the Little Hill and presented her own choreographed
Kiran has incorporated salsa, hip-hop, house, and even an element of ballet into a new production by Theatre Under the
Inspired by real events, it revolves around a school district’s decision to stop a lesbian teenager from taking her girlfriend
She founded her film-industry website in 2018, not realizing at the time that it could be leveraged to support people
Dutch Cultural Association of B.C. director Irwin Oostindie is helping TAIWANfest present Dutch artists, films, and authors later this year.
Amadou, an artist in residence at the Vancouver International Jazz Festival, plays bass in ways that nobody else has imagined
Jung is workshopping her new play, Dead Korean Girl Comedy Show, with rice & beans theatre as part of its
Bancroft has thought a lot about her identity as the daughter of a Japanese immigrant woman and a white man
Liu, a former resident of Wuxi, has come a long way since moving to Canada to study for a master’s
Pancouver aims to build a more equal and empathetic society by advancing appreciation of visual and performing arts—and cultural communities—through education. Our goal is to elevate awareness about underrepresented artists and their organizations.
The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam Indian Band), Skwxwú7mesh (Squamish Nation), and Səl̓ílwətaɬ (Tsleil-Waututh Nation). With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.
Pancouver strives to build a more equal and empathetic society by advancing appreciation of visual and performing arts—and cultural communities—through education. Our goal is to elevate awareness about underrepresented artists and the organizations that support them.
The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam), Skwxwú7mesh (Squamish), and Səl̓ílwətaɬ (Tsleil-Waututh) Nations. With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.
