“I grew up never seeing myself on-screen, and it’s really important to give people who look like me a chance to see themselves.” – actor Sandra Oh
Seagrass, the B.C. filmmaker’s debut feature, will be screened at the Toronto and Vancouver international film festivals.
In Filipino folklore, an aswang is an evil, shape-shifting character that can resemble a werewolf, vampire, or ghoul.
Lee demonstrates that he can be both funny and emotional in Kathleen Jayme’s lighthearted short tribute film.
Fé, a legendary Indigenous folk and blues musician, is recording a new album in Vancouver about ancestral waterways.
Escamillan is the inaugural recipient, and it follows the dazzling world premiere of PIÑA at the SFU Goldcorp Centre for the Arts.
Greene, who was raised in Skidegate, painted Raven in the City for the Bright Futures exhibition at the Bill Reid Gallery of Northwest Coast Art.
Bair created a massive installation called Curled Map, which will remain on the building’s façade until March 1, 2024.
On May 28, Yoshida will offer a filmmaking masterclass with YVR Screen Scene in the wake of winning the SXSW Music Video Jury Award.
Lefan, who’s based in Vancouver, created a lush music video for “The Lesson” in traditional Paiwan territory in Taitung County in Taiwan.
Sum, a theatre and musical artist, will combine both of her art forms at the Cultch Historic Theatre from May 11 to 14.
Accompanied by Steve Charles, Jirong Huang, Joseph Lubinski-Mast, and Sarah Yu Sha Tan. Ginalina sings to those from forgotten lands.
The Dance Centre’s 22nd annual event is on Saturday (September 16), featuring free classes all
This month marks another round of global youth climate strikes. Young folks are demanding a “rapid,
Seagrass, the B.C. filmmaker’s debut feature, will be screened at the Toronto and Vancouver international film festivals.
In Filipino folklore, an aswang is an evil, shape-shifting character that can resemble a werewolf, vampire, or ghoul.
The Dance Centre’s 22nd annual event is on Saturday (September 16), featuring free classes all
This month marks another round of global youth climate strikes. Young folks are demanding a “rapid,
Lee demonstrates that he can be both funny and emotional in Kathleen Jayme’s lighthearted short tribute film.
Fé, a legendary Indigenous folk and blues musician, is recording a new album in Vancouver about ancestral waterways.
Escamillan is the inaugural recipient, and it follows the dazzling world premiere of PIÑA at the SFU Goldcorp Centre for
Greene, who was raised in Skidegate, painted Raven in the City for the Bright Futures exhibition at the Bill Reid
Bair created a massive installation called Curled Map, which will remain on the building’s façade until March 1, 2024.
On May 28, Yoshida will offer a filmmaking masterclass with YVR Screen Scene in the wake of winning the SXSW
Lefan, who’s based in Vancouver, created a lush music video for “The Lesson” in traditional Paiwan territory in Taitung County
Sum, a theatre and musical artist, will combine both of her art forms at the Cultch Historic Theatre from May
Accompanied by Steve Charles, Jirong Huang, Joseph Lubinski-Mast, and Sarah Yu Sha Tan. Ginalina sings to those from forgotten lands.
Pancouver aims to build a more equal and empathetic society by advancing appreciation of visual and performing arts—and cultural communities—through education. Our goal is to elevate awareness about underrepresented artists and their organizations.
The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam Indian Band), Skwxwú7mesh (Squamish Nation), and Səl̓ílwətaɬ (Tsleil-Waututh Nation). With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.
Pancouver strives to build a more equal and empathetic society by advancing appreciation of visual and performing arts—and cultural communities—through education. Our goal is to elevate awareness about underrepresented artists and the organizations that support them.
The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam), Skwxwú7mesh (Squamish), and Səl̓ílwətaɬ (Tsleil-Waututh) Nations. With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.
