Ruby Slippers Theatre presented the forum on bicultural identity and belonging before this year’s Advance Theatre Festival.
This year’s festival will unveil works that address immigration, wartime connections, and the commodification of identity in the arts.
In a play that riffs on Pinoy cultural references, Padilla plays a butt-kicking Filipina granny who has experienced a lot in her life.
According to Padilla, her play revolves around a grandmother with dementia who escapes a nursing home because she misses her grandkids,
剧作家兼演员 Abi Padilla 踏上了一个全新的冒险旅程，当 Studio 58 戏剧课程要求她演出一场独角戏。这份作业是毕业条件，提供了她一个机会，可以在舞台上尝试之前从未探索过的事物。
劇作家兼演員 Abi Padilla 踏上了一個全新的冒險旅程，當 Studio 58 戲劇課程要求她演出一場獨角戲。這份作業是畢業條件，提供了她一個機會，可以在舞台上嘗試之前從未探索過的事物。
The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
This project is funded in part by the Government of Canada.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam Indian Band), Skwxwú7mesh (Squamish Nation), and Səl̓ílwətaɬ (Tsleil-Waututh Nation). With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.
This project is funded in part by the Government of Canada.
The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam), Skwxwú7mesh (Squamish), and Səl̓ílwətaɬ (Tsleil-Waututh) Nations. With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.
Independent arts journalism needs readers like you!
If you value stories like this, please consider supporting Pancouver.