被誉为「中国胡士托」的迷笛音乐节筹划人将于温哥华Jade Music Festival发言
Translation Desk
November 22, 2022
在1980年代的中国，没有太多人可以想像到单蔚所做的工作：举办吸引数以万计乐迷的户外摇滚演唱会。 身为北京迷笛演出有限公司执行长的单蔚，是被誉为「中国胡士托」的迷笛音乐节筹划人。这个大型音乐节最初于2000年由迷笛音乐学校举办，地点是北京一栋只有500个座位的礼堂。
Tag: Bejing
被譽為「中國胡士托」的迷笛音樂節籌劃人將於溫哥華Jade Music Festival發言
Translation Desk
November 22, 2022
在單蔚的領導下，上海等數個中國城市成功舉行迷笛音樂節（上圖）。在1980年代的中國，沒有太多人可以想像到單蔚所做的工作：舉辦吸引數以萬計樂迷的戶外搖滾演唱會。
Organizer of China’s Woodstock, a.k.a. the Midi Festival, will speak at Vancouver’s Jade Music Festival
Charlie Smith
November 22, 2022
Shan Wei was once a radio music programmer. Now, he’s one of China’s most important music promoters and the man behind the massive Midi Festivals.
被誉为「中国胡士托」的迷笛音乐节筹划人将于温哥华Jade Music Festival发言
Translation Desk
November 22, 2022
被譽為「中國胡士托」的迷笛音樂節籌劃人將於溫哥華Jade Music Festival發言
Translation Desk
November 22, 2022
Organizer of China’s Woodstock, a.k.a. the Midi Festival, will speak at Vancouver’s Jade Music Festival
Charlie Smith
November 22, 2022
Pancouver aims to build a more equal and empathetic society by advancing appreciation of visual and performing arts—and cultural communities—through education. Our goal is to elevate awareness about underrepresented artists and their organizations.
The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam Indian Band), Skwxwú7mesh (Squamish Nation), and Səl̓ílwətaɬ (Tsleil-Waututh Nation). With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.
Pancouver strives to build a more equal and empathetic society by advancing appreciation of visual and performing arts—and cultural communities—through education. Our goal is to elevate awareness about underrepresented artists and the organizations that support them.
The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
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We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam), Skwxwú7mesh (Squamish), and Səl̓ílwətaɬ (Tsleil-Waututh) Nations. With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.