
An art historian looks at the origins of the Indigenous arts collection at the Vatican Museums
Gloria Bell discovered that many missionaries described Indigenous belongings in the Vatican Museums as “trophies of the pope”.

Gloria Bell discovered that many missionaries described Indigenous belongings in the Vatican Museums as “trophies of the pope”.

We can’t solve climate change and biodiversity loss with the same thinking that created these crises.

The Tree of Authenticity offers a breathtaking exploration into the Democratic Republic of Congo’s colonial past under Belgian rule.

The Cultch and Urban Ink will present the world premiere of Homecoming at the Historic Theatre in East Vancouver from May 2 to 12.

Grassy Narrows offers a tragic example of the devastating effects of colonialism and environmental racism.

A UBC lecturer maintains that the most potent and painful relationship between Catan and our world today remains largely unexamined.

Influential city councillors and MLAs launched politicial careers as park commissioners, including B.C.’s attorney general, Niki Sharma.

Almeda, a UBC history grad with a minor in international relations, weaves observations of Filipino culture into funny scenes on-stage.

Suzuki urges people to look up and realize that with common sense, evidence, action, love, and compassion, we could continue to have it all.

Colonial fashion reflected racialized politics, according University of Alberta history, classics and religion professor Beverly Lemire.










The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
This project is funded in part by the Government of Canada.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam Indian Band), Skwxwú7mesh (Squamish Nation), and Səl̓ílwətaɬ (Tsleil-Waututh Nation). With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.
This project is funded in part by the Government of Canada.
The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam), Skwxwú7mesh (Squamish), and Səl̓ílwətaɬ (Tsleil-Waututh) Nations. With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.
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