
卑诗演员工会/加拿大影院、电视及电台艺术工作者联盟:种族、年龄、残疾、性取向和性别不公待遇的普遍性令人关注
一个卑诗省大型表演者工会的普查发现,大约三分一的黑人、非洲和东亚受访者去年曾经历「种族不公待遇」。卑诗演员工会/加拿大影院、电视及电台艺术工作者联盟(UBCP/ACTRA)代表超过7,800名卑诗省演员,当中38%完成了上述问卷调查。约四分三成员自我识别为白人或欧洲人,又或者可冒充成白人以获得更多任务作机会。
一个卑诗省大型表演者工会的普查发现,大约三分一的黑人、非洲和东亚受访者去年曾经历「种族不公待遇」。卑诗演员工会/加拿大影院、电视及电台艺术工作者联盟(UBCP/ACTRA)代表超过7,800名卑诗省演员,当中38%完成了上述问卷调查。约四分三成员自我识别为白人或欧洲人,又或者可冒充成白人以获得更多任务作机会。
一個卑詩省大型表演者工會的普查發現,大約三分一的黑人、非洲和東亞受訪者去年曾經歷「種族不公待遇」。卑詩演員工會/加拿大影院、電視及電台藝術工作者聯盟(UBCP/ACTRA)代表超過7,800名卑詩省演員,當中38%完成了上述問卷調查。約四分三成員自我識別為白人或歐洲人,又或者可冒充成白人以獲得更多工作機會。
Around one in three Black, African, and East Asian respondents in a UBCP/ACTRA census reported experiencing “race-based mistreatment”.
温哥华演员兼导演Rukiya Bernard最新短片的历史背景并非由她凭空想像出来,而是她在多伦多成长的亲身经历。Rukiya透过电话向Pancouver表示,自己的父母多年来是多伦多首家非洲商店World Art & Décor的拥有者。因此,她在成长阶段已经接触非洲和加勒比海的文化和历史。她的母亲来自东非国家肯雅,父亲则来自牙买加。
溫哥華演員兼導演Rukiya Bernard最新短片的歷史背景並非由她憑空想像出來,而是她在多倫多成長的親身經歷。Rukiya透過電話向Pancouver表示,自己的父母多年來是多倫多首家非洲商店World Art & Décor的擁有者。因此,她在成長階段已經接觸非洲和加勒比海的文化和歷史。她的母親來自東非國家肯雅,父親則來自牙買加。
Bernard, a multiple Leo Award winner, directed one of six short films that will be screened on Saturday (April 15) evening in Vancouver.
A Carleton University prof says that national and international human rights mechanisms do not seem to provide reliable solutions to racism.
澳洲种族歧视专员索奉马赛恩(Tim Soutphommasane)在2018年发表任内最后一次演说,指责当地媒体煽动了对种族群体的仇恨,而广播公司更应付上最大责任。现正担任牛津大学首席多元化官(Chief Diversity Officer)的索奉马赛恩例出数个例子。具体而言,一些在全国广播节目挑起种族仇恨的评论员,曾在节目中要求人们返回他们原来的居住地,但未有受到所属电视网络的任何处分。
澳洲種族歧視專員索奉馬賽恩(Tim Soutphommasane)在2018年發表任內最後一次演說,指責當地媒體煽動了對種族群體的仇恨,而廣播公司更應付上最大責任。現正擔任牛津大學首席多元化官(Chief Diversity Officer)的索奉馬賽恩例出數個例子。具體而言,一些在全國廣播節目挑起種族仇恨的評論員,曾在節目中要求人們返回他們原來的居住地,但未有受到所屬電視網絡的任何處分。
Commissioner Kasari Govender denounced social media rather than broadcasters and columnists for a big increase in reported hate crimes.
Pancouver aims to build a more equal and empathetic society by advancing appreciation of visual and performing arts—and cultural communities—through education. Our goal is to elevate awareness about underrepresented artists and their organizations.
The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam Indian Band), Skwxwú7mesh (Squamish Nation), and Səl̓ílwətaɬ (Tsleil-Waututh Nation). With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.
Pancouver strives to build a more equal and empathetic society by advancing appreciation of visual and performing arts—and cultural communities—through education. Our goal is to elevate awareness about underrepresented artists and the organizations that support them.
The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam), Skwxwú7mesh (Squamish), and Səl̓ílwətaɬ (Tsleil-Waututh) Nations. With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.