
Multidisciplinary artist Miles Saraswat mimics emotions of migration on Lunar New Year lanterns
Two Saraswat-designed lanterns are among six on display in the Brave the Wind exhibition at the Bentall Centre until March 9.

Two Saraswat-designed lanterns are among six on display in the Brave the Wind exhibition at the Bentall Centre until March 9.

A Sḵwx̱wú7mesh/Sto:lo/Hawaiian/Swiss ethnobotanist and a Cree and Métis artist have won the 2024 VIVA Awards.

Kelly was interim president prior to receiving the job on a permanent basis. She has also held other senior positions at the university.

Liu reflects the hybridity in his practice in two pieces that are part of The Show exhibition at Emily Carr University of Art + Design.

温哥华艺术家刘凯将近期作品定义为「绘印艺术」。这位北京出生的创作者巧妙融合版画技法与绘画语言,在作品中构建起中西美学的对话,持续探索艺术表达的混生形态。

溫哥華藝術家劉凱將近期作品定義為「繪印藝術」。這位北京出生的創作者巧妙融合版畫技法與繪畫語言,在作品中構建起中西美學的對話,持續探索藝術表達的混生形態。

Co-curators Kay Higgins and Casey/KC Wei are also musicians—and their bands are among the performers at Art Rock Summer.

In advance of National Indigenous Peoples Day, a post-secondary institution is offering the public a chance to appreciate their creativity.

主要透过镜头进行创作的温哥华艺术家Khim Hipol表示,自己以促进教育为创作艺术的目的。他的动机直接了当,因为他担心菲律宾移民的孩子不了解菲律宾的国家象征,以及该国的抗争史。

主要透過鏡頭進行創作的溫哥華藝術家Khim Hipol表示,自己以促進教育為創作藝術的目的。他的動機直接了當,因為他擔心菲律賓移民的孩子不了解菲律賓的國家象徵,以及該國的抗爭史。










The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
This project is funded in part by the Government of Canada.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam Indian Band), Skwxwú7mesh (Squamish Nation), and Səl̓ílwətaɬ (Tsleil-Waututh Nation). With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.
This project is funded in part by the Government of Canada.
The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam), Skwxwú7mesh (Squamish), and Səl̓ílwətaɬ (Tsleil-Waututh) Nations. With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.
Independent arts journalism needs readers like you!
If you value stories like this, please consider supporting Pancouver.