很多温哥华居民并不知道某些邻居正努力尝试保留富有想像力的香港文化。这个曾经自由的港口城市孕育出以粤语为基础的当代媒体、艺术和娱乐产业。然而，自从香港在1997年回归中国以来，便一直经历普通话殖民化，近年的打压更日益严重，迫使数以百万计的民众上街抗议。这导致全国人民代表大会在2020年通过严苛的《香港国安法》，结束了承诺维持至2047年的高度自治。这令到香港人心灰意冷，更激怒了加拿大举国上下的香港侨民。
很多溫哥華居民並不知道某些鄰居正努力嘗試保留富有想像力的香港文化。這個曾經自由的港口城市孕育出以粵語為基礎的當代媒體、藝術和娛樂產業。然而，自從香港在1997年回歸中國以來，便一直經歷普通話殖民化，近年的打壓更日益嚴重，迫使數以百萬計的民眾上街抗議。這導致全國人民代表大會在2020年通過嚴苛的《香港國安法》，結束了承諾維持至2047年的高度自治。
Chan is one of several Vancouverites working exceptionally hard to preserve the freewheeling and imaginative culture of Hong Kong.
The veteran actor says that from the White Noise script, she can tell that the young playwright had tremendous respect for women.
当谈到原住民与非原住民和解的重地，人们通常不会联想起温哥华的时尚社区Point Grey。然而，由Taran Kootenhayoo编写的喜剧《White Noise》正是以Point Grey为故事的地点，内容是讲述两个背景迥异的家庭在真相与和解周期间共进晚餐所发生的事情。
當談到原住民與非原住民和解的重地，人們通常不會聯想起溫哥華的時尚社區Point Grey。然而，由Taran Kootenhayoo編寫的喜劇《White Noise》正是以Point Grey為故事的地點，內容是講述兩個背景迥異的家庭在真相與和解週期間共進晚餐所發生的事情。
银发族女演员或会面对演出机会匮乏的问题，但部份却成功突破年龄界限，例如是英国的玛吉·史密斯（Maggie Smith）、朱迪·丹奇（Judy Dench）和海伦·米兰（Helen Mirren）。美国方面，洁西卡·坦迪（Jessica Tandy）凭着于《Driving Miss Daisy》的演出，以80岁高龄成为奥斯卡最佳女主角奖最年长的得奖者。而在温哥华，魅力四射的Barbara Pollard也在逆流而上。
銀髮族女演員或會面對演出機會匱乏的問題，但部份卻成功突破年齡界限，例如是英國的瑪吉·史密斯（Maggie Smith）、朱迪·丹奇（Judy Dench）和海倫·米蘭（Helen Mirren）。美國方面，潔西卡·坦迪（Jessica Tandy）憑著於《Driving Miss Daisy》的演出，以80歲高齡成為奧斯卡最佳女主角獎最年長的得獎者。而在溫哥華，魅力四射的Barbara Pollard也在逆流而上。
After four decades on stages and screens, Pollard remains busier than ever with roles in Our Ghosts, Champions, and Virgin River.
有关身份误会的舞台剧一向大行其道，例如是莎士比亚的《错误的喜剧》和《第十二夜》。然而，莎翁并非这个类别的先驱。早于古希腊时代，雅典喜剧作家米南德（Menander）已在创作这类型作品。
Pancouver aims to build a more equal and empathetic society by advancing appreciation of visual and performing arts—and cultural communities—through education. Our goal is to elevate awareness about underrepresented artists and their organizations.
The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam Indian Band), Skwxwú7mesh (Squamish Nation), and Səl̓ílwətaɬ (Tsleil-Waututh Nation). With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.
Pancouver strives to build a more equal and empathetic society by advancing appreciation of visual and performing arts—and cultural communities—through education. Our goal is to elevate awareness about underrepresented artists and the organizations that support them.
The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam), Skwxwú7mesh (Squamish), and Səl̓ílwətaɬ (Tsleil-Waututh) Nations. With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.