銀髮族女演員或會面對演出機會匱乏的問題，但部份卻成功突破年齡界限，例如是英國的瑪吉·史密斯（Maggie Smith）、朱迪·丹奇（Judy Dench）和海倫·米蘭（Helen Mirren）。美國方面，潔西卡·坦迪（Jessica Tandy）憑著於《Driving Miss Daisy》的演出，以80歲高齡成為奧斯卡最佳女主角獎最年長的得獎者。而在溫哥華，魅力四射的Barbara Pollard也在逆流而上。
After four decades on stages and screens, Pollard remains busier than ever with roles in Our Ghosts, Champions, and Virgin River.
有关身份误会的舞台剧一向大行其道，例如是莎士比亚的《错误的喜剧》和《第十二夜》。然而，莎翁并非这个类别的先驱。早于古希腊时代，雅典喜剧作家米南德（Menander）已在创作这类型作品。
有關身份誤會的舞台劇一向大行其道，例如是莎士比亞的《錯誤的喜劇》和《第十二夜》。然而，莎翁並非這個類別的先驅。早於古希臘時代，雅典喜劇作家米南德（Menander）已在創作這類型作品。
In this Touchstone Theatre production, Rahemtulla makes use of mistaken identity and farcical comedy in a distinctly 21st-century setting.
Elaine Ávila對於自己好評如潮，以葡萄牙法朵（fado）音樂為題材的舞台劇本月於Firehall Theatre再度公演樂得心花怒放。這名新西敏居民表示，在Donna Spencer的藝術指導下，劇場40年來屢創先河。
Elaine Ávila对于自己好评如潮，以葡萄牙法朵（fado）音乐为题材的舞台剧本月于Firehall Theatre再度公演乐得心花怒放。这名新西敏居民表示，在Donna Spencer的艺术指导下，剧场40年来屡创先河。《FADO – The Saddest Music in the World》于2019年在温哥华Firehall Theatre首演时创下了历史，成为首部由葡萄牙裔作家编写，在加拿大或者美国大型舞台演出的舞台剧。
New Westminster resident Elaine Ávila is thrilled that her play about Portuguese fado music has returned to the Firehall Theatre this month.
Talwar, a veteran of the Shaw and Stratford festivals, will perform the Ghosts of Christmases Past, Present, and Future, among other roles.
As her theatre company celebrates its 40th year, the artistic producer can look back with pride on her record of opening doors for others.
The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam Indian Band), Skwxwú7mesh (Squamish Nation), and Səl̓ílwətaɬ (Tsleil-Waututh Nation). With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.
The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam), Skwxwú7mesh (Squamish), and Səl̓ílwətaɬ (Tsleil-Waututh) Nations. With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.
