
Gurpreet Singh: Why I refuse to sing “Vande Mataram”
“Vande Mataram” has its roots in a highly controversial novel, Anandmath, written by Bankim Chandra Chatterjee in 1882.

“Vande Mataram” has its roots in a highly controversial novel, Anandmath, written by Bankim Chandra Chatterjee in 1882.

Established by Vancouver businessman Barj Dhahan in 2013, the Prize is given annually to those who write in Punjabi.

Mahajan helps readers understand the thin line between soft and hardcore Hindutva in The Complex.

After retiring in 1988, he did something amazing. Sankurathri moved back to India and created a charity named after his wife.

“I Am a Cockroach” is a protest poem written in response to the Chief Justice of India likening unemployed youths to parasites.

A B.C. writer draws historical lessons from museums that still apply in today’s troubled times.

Kautak Singh (photographed at the BMW Museum) helped his parents make the most of their recent European vacation.

The B.C. author and journalist wrote “72nd Avenue” in advance of the Indian prime minister’s visit to Canada.

The veteran broadcaster wants the world to know how much freedom he had working for Shushma Datt.

Sinclair, former chief commissioner of the Truth and Reconciliation Commission, died one day before Trump won the last presidential election.










The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
This project is funded in part by the Government of Canada.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam Indian Band), Skwxwú7mesh (Squamish Nation), and Səl̓ílwətaɬ (Tsleil-Waututh Nation). With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.
This project is funded in part by the Government of Canada.
The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam), Skwxwú7mesh (Squamish), and Səl̓ílwətaɬ (Tsleil-Waututh) Nations. With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.
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