Angela’s Shadow helps settler Canadians viscerally grasp the impact of a long federal ban on ceremonial practices.
在《Angela’s Shadow》（Angela 的陰影）中，四位克里族女性角色選擇在山洞中進行靈性儀式，其實背後有一個重要原因。這部由居住於溫哥華的克里族導演 Jules Arita Koostachin 執導的劇情長片，故事背景設定在 1930 年代末期，當時原住民族仍被法律禁止從事如淨化儀式 (smudging)、散財宴 (potlatch) 或日舞 (sun dancing) 等傳統文化的實踐。
在《Angela’s Shadow》（Angela 的阴影）中，四位克里族女性角色选择在山洞中进行灵性仪式，其实背后有一个重要原因。这部由居住于温哥华的克里族导演 Jules Arita Koostachin 执导的剧情长片，故事背景设置在 1930 年代末期，当时原住民族仍被法律禁止从事如净化仪式 (smudging)、散财宴 (potlatch) 或日舞 (sun dancing) 等传统文化的实践。
Decolonizing Lens is a film and discussion series that brings together Indigenous filmmakers, their films, and audiences.
The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
This project is funded in part by the Government of Canada.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam Indian Band), Skwxwú7mesh (Squamish Nation), and Səl̓ílwətaɬ (Tsleil-Waututh Nation). With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.
This project is funded in part by the Government of Canada.
The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam), Skwxwú7mesh (Squamish), and Səl̓ílwətaɬ (Tsleil-Waututh) Nations. With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.
Independent arts journalism needs readers like you!
If you value stories like this, please consider supporting Pancouver.