After working in the non-profit sector assisting refugees, Zahida Rahemtulla is “really cautious” about “model minority” terminology.
有关身份误会的舞台剧一向大行其道，例如是莎士比亚的《错误的喜剧》和《第十二夜》。然而，莎翁并非这个类别的先驱。早于古希腊时代，雅典喜剧作家米南德（Menander）已在创作这类型作品。
有關身份誤會的舞台劇一向大行其道，例如是莎士比亞的《錯誤的喜劇》和《第十二夜》。然而，莎翁並非這個類別的先驅。早於古希臘時代，雅典喜劇作家米南德（Menander）已在創作這類型作品。
In this Touchstone Theatre production, Rahemtulla makes use of mistaken identity and farcical comedy in a distinctly 21st-century setting.
Pancouver aims to build a more equal and empathetic society by advancing appreciation of visual and performing arts—and cultural communities—through education. Our goal is to elevate awareness about underrepresented artists and their organizations.
The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam Indian Band), Skwxwú7mesh (Squamish Nation), and Səl̓ílwətaɬ (Tsleil-Waututh Nation). With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.
Pancouver strives to build a more equal and empathetic society by advancing appreciation of visual and performing arts—and cultural communities—through education. Our goal is to elevate awareness about underrepresented artists and the organizations that support them.
The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam), Skwxwú7mesh (Squamish), and Səl̓ílwətaɬ (Tsleil-Waututh) Nations. With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.