Shigematsu and director Kaitlin Williams are re-imagining the hit show for the theatre company’s 40th-anniversary season.
Bancroft has thought a lot about her identity as the daughter of a Japanese immigrant woman and a white man who was born in the U.K.
Murao chose the short films, which will be co-presented by The Cinematheque and the Powell Street Festival on Thursday (May 25).
舞台剧艺术家兼教育工作者Kunji Ikeda经常从日裔加拿大人身上听到两种说法。部份人向他表示，由于他们不谙日语，所以觉得自己「不够日本人」，于是不愿接触日裔社区。另外亦有人向Kunji表示，觉得自己算不上是加拿大人，因此并不属于日裔加拿大人社区。
舞台劇藝術家兼教育工作者Kunji Ikeda經常從日裔加拿大人身上聽到兩種說法。部份人向他表示，由於他們不諳日語，所以覺得自己「不夠日本人」，於是不願接觸日裔社區。另外亦有人向Kunji表示，覺得自己算不上是加拿大人，因此並不屬於日裔加拿大人社區。
Theatre artist Kunji Ikeda says that he’s trying to acknowledge hardships, oppression, and systemic racism without being bogged down by it.
The final chapter of historian John Price’s six-part series, The BC Government and the Dispossession of Japanese Canadians (1941-1949).
This is the fifth chapter of John Price’s six-part series, The BC Government and the Dispossession of Japanese Canadians (1941-1949),
This is the fourth chapter of John Price’s six-part series, The BC Government and the Dispossession of Japanese Canadians (1941-1949),
Pancouver aims to build a more equal and empathetic society by advancing appreciation of visual and performing arts—and cultural communities—through education. Our goal is to elevate awareness about underrepresented artists and their organizations.
The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam Indian Band), Skwxwú7mesh (Squamish Nation), and Səl̓ílwətaɬ (Tsleil-Waututh Nation). With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.
Pancouver strives to build a more equal and empathetic society by advancing appreciation of visual and performing arts—and cultural communities—through education. Our goal is to elevate awareness about underrepresented artists and the organizations that support them.
The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam), Skwxwú7mesh (Squamish), and Səl̓ílwətaɬ (Tsleil-Waututh) Nations. With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.