
编舞者兼舞蹈家Smail Kanouté在《Never Twenty One》向枪械暴力的年轻黑人遇害者致敬
跨界别艺术家Smail Kanouté的舞蹈制作、影片及平面设计无论在哪里展出都会引起哄动。个中的原因,可能是因为这名马里裔法国人总能够以天马行空和富有情感的方式将字母呈现出来。
跨界别艺术家Smail Kanouté的舞蹈制作、影片及平面设计无论在哪里展出都会引起哄动。个中的原因,可能是因为这名马里裔法国人总能够以天马行空和富有情感的方式将字母呈现出来。
跨界別藝術家Smail Kanouté的舞蹈製作、影片及平面設計無論在哪裡展出都會引起哄動。箇中的原因,可能是因為這名馬里裔法國人總能夠以天馬行空和富有情感的方式將字母呈現出來。
Kanouté integrates several artforms into his practice, which is rooted in his French-Malian identity and his exposure to many cultures.
The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam Indian Band), Skwxwú7mesh (Squamish Nation), and Səl̓ílwətaɬ (Tsleil-Waututh Nation). With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.
The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam), Skwxwú7mesh (Squamish), and Səl̓ílwətaɬ (Tsleil-Waututh) Nations. With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.