For the final concert, Tung will collaborate with Juno-nominated Métis singer songwriter/composer Wayne Lavallee.
今年温哥华早期乐团夏季音乐节 (Early Music Vancouver Summer Festival) 将为热爱中西音乐合并的观众带来一场听觉盛宴。《Silk Strings: A Chinese-Baroque Musical Dialogue（丝弦：中式巴洛克音乐对话）》将由 re-Naissance 歌剧团创意总监 Debi Wong 主持演前座谈会，时间为周二（7月29日）晚间 6:45，地点在基督教会座堂 (Christ Church Cathedral)。她将与管风琴与大键琴演奏家 Christina Hutten、作曲家 Edward Top、Dorothy Chang 及二胡演奏家兼作曲家董篮同台对谈。
Program notes describe the concert as “a Canadian musical encounter between ancient Chinese and ancient European instruments”.
今年溫哥華早期樂團夏季音樂節 (Early Music Vancouver Summer Festival) 將為熱愛中西音樂合併的觀眾帶來一場聽覺盛宴。《Silk Strings: A Chinese-Baroque Musical Dialogue（絲弦：中式巴洛克音樂對話）》將由 re-Naissance 歌劇團創意總監 Debi Wong 主持演前座談會，時間為週二（7月29日）晚間 6:45，地點在基督教會座堂 (Christ Church Cathedral)。她將與管風琴與大鍵琴演奏家 Christina Hutten、作曲家 Edward Top、Dorothy Chang 及二胡演奏家兼作曲家董籃同台對談。
温哥华音乐家董篮在台北长大时，喜欢看在宫观外的台剧表演。 剧团会根据类似古典二胡等等中国民间乐器的音色布置小型舞台和舞台剧。“我总是注视着乐师们的演奏，” 董女士透过电话告诉 Pancouver， “我认为这是我接触传统音乐的一个开端。”音乐是道教信仰的内核之一，因为它被视为与神灵交谈的一种方式。 所以，这些节目是定期举行的。
溫哥華音樂家董籃在台北長大時，喜歡看在宮觀外的台劇表演。 劇團會根據類似古典二胡等等中國民間樂器的音色佈置小型舞台和舞台劇。“我總是注視著樂師們的演奏，” 董女士透過電話告訴 Pancouver， “我認為這是我接觸傳統音樂的一個開端。”音樂是道教信仰的核心之一，因為它被視為與神靈交談的一種方式。 所以，這些節目是定期舉行的。
The quartet is comprised of violinist and violist Parmela Attariwala, erhu players Jun Rong and Lan Tung, and cellist Sungyong Lim.
The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
This project is funded in part by the Government of Canada.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam Indian Band), Skwxwú7mesh (Squamish Nation), and Səl̓ílwətaɬ (Tsleil-Waututh Nation). With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.
This project is funded in part by the Government of Canada.
The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam), Skwxwú7mesh (Squamish), and Səl̓ílwətaɬ (Tsleil-Waututh) Nations. With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.
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