The Taiwanese-born chigiri-e artist tears hand-dyed and extremely thin washi paper into shapes. Then, she assembles them on a canvas.
温哥华艺术家 Leanne Lai Hildebrand 并不视自己为一位画家。然而，她仍然能透过一种有着千年历史，名为「和纸绘画」的日本艺术形式，创造出色彩缤纷而令人惊艳的风景和花卉场景。她的作品看起来完全就像水彩画一样。
溫哥華藝術家 Leanne Lai Hildebrand 並不視自己為一位畫家。然而，她仍然能透過一種有著千年歷史，名為「和紙繪畫」的日本藝術形式，創造出色彩繽紛而令人驚艷的風景和花卉場景。她的作品看起來完全就像水彩畫一樣。
The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
This project is funded in part by the Government of Canada.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam Indian Band), Skwxwú7mesh (Squamish Nation), and Səl̓ílwətaɬ (Tsleil-Waututh Nation). With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.
This project is funded in part by the Government of Canada.
The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam), Skwxwú7mesh (Squamish), and Səl̓ílwətaɬ (Tsleil-Waututh) Nations. With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.
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