Each of the major characters in Family Matters is named after a season—Spring, Summer, Autumn, and Winter—creating a beautiful symmetry.
Girl 女孩 marks the directorial debut of Taiwan’s most successful female actor. It’s at the VIFF Centre on Sunday (February 15).
The Vancouver Public Library and LNY Splash are offering a free screening of this documentary about the Tamaki family on Tuesday (Feb. 10).
This weekend, LNY Splash and the VIFF Centre are co-presenting films about Asian families to get into the Lunar New Year spirit.
A family photo sends director Dieu Hao Do on a quest around the world in Hao Are You, which will be screened at the VIFF Centre on February 8.
Granny Must Die is a comedy with meaning—ideal for Lunar New Year when so many families get together over the holiday.
Geum-soon (Kim Yeong-ok), Eun-sim (Na Moon-hee), and Tae-ho (Keun-hyong Park) savour the joy of walking along the beach in Picnic.
杨妈妈宛如一位走出陀思妥耶夫斯基小说的角色。就像《白痴》中的梅什金公爵，她展现了基督信仰中「爱邻如己」的理想。但不同的是，杨妈妈并非虚构人物，而是一位住在纽约的高龄移民寡妇。台湾导演李靖惠在她细腻的纪录片《Come Home, My Child（爱子归来）》中，记录了杨妈妈的真实人生。
楊媽媽宛如一位走出陀思妥耶夫斯基小說的角色。就像《白痴》中的梅什金公爵，她展現了基督信仰中「愛鄰如己」的理想。但不同的是，楊媽媽並非虛構人物，而是一位住在紐約的高齡移民寡婦。台灣導演李靖惠在她細膩的紀錄片《Come Home, My Child（愛子歸來）》中，記錄了楊媽媽的真實人生。
With a saintly spirit, Mama Yang encourages Chinese inmates serving long sentences in U.S. prisons not to lose hope for a family reunion.
The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
This project is funded in part by the Government of Canada.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam Indian Band), Skwxwú7mesh (Squamish Nation), and Səl̓ílwətaɬ (Tsleil-Waututh Nation). With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.
This project is funded in part by the Government of Canada.
The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam), Skwxwú7mesh (Squamish), and Səl̓ílwətaɬ (Tsleil-Waututh) Nations. With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.
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