
Dancing on the Edge 2024: Choreographer Giselle K Liu explores intricacies of family relationships in Behind Veiled Eyes
Liu says that her work as a movement artist is informed by growing up Asian on unceded Indigenous territory in northwestern B.C.

Liu says that her work as a movement artist is informed by growing up Asian on unceded Indigenous territory in northwestern B.C.

当廖碧璇开始编排一部关于治愈性母女关系的双人舞时,所以让她母亲参与创作过程显得理所当然。廖碧璇最新作品《Behind Veiled Eyes》的创作动力源自于她出生在 2021 年的侄女。

當廖碧璇開始編排一部關於治癒性母女關係的雙人舞時,所以讓她母親參與創作過程顯得理所當然。廖碧璇最新作品《Behind Veiled Eyes》的創作動力源自於她出生在 2021 年的姪女。



The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
This project is funded in part by the Government of Canada.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam Indian Band), Skwxwú7mesh (Squamish Nation), and Səl̓ílwətaɬ (Tsleil-Waututh Nation). With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.
This project is funded in part by the Government of Canada.
The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam), Skwxwú7mesh (Squamish), and Səl̓ílwətaɬ (Tsleil-Waututh) Nations. With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.
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