The Japanese director’s animated short was inspired by Belgian-French poet and artist Henri Michaux’s 1956 book, Miserable Miracle.
Niall McNeil reveals himself to be a man full of heart—and humour—in this documentary directed by Marie Clements.
The Vancouver Asian Film Festival will present “Boat People” as part of its Animated Shorts program at International Village Cineplex.
Lee demonstrates that he can be both funny and emotional in Kathleen Jayme’s lighthearted short tribute film.
The Vancouver Island community of Paldi was populated by people of different races who worked, played, and attended school together.
A trip to a Moose Jaw tourist attraction led Weiye Su to investigate the lives of Chinese immigrants to the city in the last century.
多伦多电影制作者Weiye Su在他片长16分钟的纪录片《A Passage Beyond Fortune》读出了开场白，内容是一段个人反思。该名里贾纳前居民在这部国家电影局作品中表示：「有人曾经在萨省告诉我，每个城镇都有一家中餐馆，背后有它的故事。」由中国移民到加拿大的Weiye讲述了由穆斯乔（Moose Jaw）流传开去的都市传说。当地市中心在1980年代发现了地下隧道，衍生了这种说法。
多倫多電影製作者Weiye Su在他片長16分鐘的紀錄片《A Passage Beyond Fortune》讀出了開場白，內容是一段個人反思。該名里賈納前居民在這部國家電影局作品中表示：「有人曾經在薩省告訴我，每個城鎮都有一家中餐館，背後有它的故事。」由中國移民到加拿大的Weiye講述了由穆斯喬（Moose Jaw）流傳開去的都市傳說。當地市中心在1980年代發現了地下隧道，衍生了這種說法。
历史除了由胜利者书写之外，更收录在政府文件库之中。然而，北卑诗大学第一民族研究教授Daniel Sims却不太认同此陈腔滥调的说法。去年，Daniel曾在《乔治王子市公民报》撰文，表示只有装聪明的人才会这样说，因为他认为历史不过是由愿意花时间的人编写，仅此而已。接下来，就是要确保别人阅读你所写的内容。
歷史除了由勝利者書寫之外，更收錄在政府檔案庫之中。然而，北卑詩大學第一民族研究教授Daniel Sims卻不太認同此陳腔濫調的說法。去年，Daniel曾在《喬治王子市公民報》撰文，表示只有裝聰明的人才會這樣說，因為他認為歷史不過是由願意花時間的人編寫，僅此而已。接下來，就是要確保別人閱讀你所寫的內容。
The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam Indian Band), Skwxwú7mesh (Squamish Nation), and Səl̓ílwətaɬ (Tsleil-Waututh Nation). With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.
The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam), Skwxwú7mesh (Squamish), and Səl̓ílwətaɬ (Tsleil-Waututh) Nations. With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.
