温哥华舞者兼编舞者余衍晴（Sarah Hin Ching U ）在最新作品《Silent Howl》中，将于舞台上投影垂直、锯齿、点状和弯曲的线条，以反映自己克服神经多样性（neurodiversity）和焦虑症的心路历程。她透过电话向Pancouver解释，这些线条是来自再对焦治疗（refocus therapy）。
溫哥華舞者兼編舞者余衍晴（Sarah Hin Ching U ）在最新作品《Silent Howl》中，將於舞台上投影垂直、鋸齒、點狀和彎曲的線條，以反映自己克服神經多樣性（neurodiversity）和焦慮症的心路歷程。她透過電話向Pancouver解釋，這些線條是來自再對焦治療（refocus therapy）。
The Vancouver dancer and choreographer incorporated lines into Silent Howl to help the audience understand neurodiversity.
The connection between language and meaning is well established. The language we use is directly related to the way we view and treat others.
The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam Indian Band), Skwxwú7mesh (Squamish Nation), and Səl̓ílwətaɬ (Tsleil-Waututh Nation). With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.
The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam), Skwxwú7mesh (Squamish), and Səl̓ílwətaɬ (Tsleil-Waututh) Nations. With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.
