
The Island’s Gaze: How Mata reframes a 19th-century encounter between a Siraya boy and a Scottish photographer
Vancouver TAIWANfest will screen Mata – The Island’s Gaze for free at 4:30 p.m. on September 6 in the 700 block of Granville Street.

Vancouver TAIWANfest will screen Mata – The Island’s Gaze for free at 4:30 p.m. on September 6 in the 700 block of Granville Street.

Waterhouse-Hayward has photographed major figures in film, music, literature, and the arts, including Martin Scorsese and Leonard Cohen.

Girard did something unusual in the 1970s for a kid born in Vancouver—he chose to settle in Asia.

The photographic practice of U.K.-based Nigerian Michael Oyinbokure shows how African artists construct counter-narratives.

This time, Waterhouse-Hayward plans to deliver a PowerPoint presentation around the theme of “Editorial Photography Shown & Explained”.

In an era when digital images have largely replaced photographic processing, Waterhouse-Hayward continues blogging about his many interests.

Amantea, an accessibility consultant, will be at Hold On Let Go, which highlights contemporary performance work by Canadian artists.

Lazebnik is thrilled that her film will be screened in Victoria, where Murray lived for most of her life in the 19th and early 20th century.

The brains behind Tender Photo is Nigerian writer, editor, publisher, and art critic Emmanuel Iduma. (Photo by Cindy Steiler)

很多攝影愛好者都需要另覓工作以維持生計,也鮮有聽聞他們在全國性的攝影比賽中獲獎。然而,溫哥華牙醫羅徵遠(George)至今已奪得數項攝影殊榮,他的作品《白頭雕相爭》(Fighting bald eagles)更獲選為Sony National Award加拿大賽區冠軍。










The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
This project is funded in part by the Government of Canada.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam Indian Band), Skwxwú7mesh (Squamish Nation), and Səl̓ílwətaɬ (Tsleil-Waututh Nation). With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.
This project is funded in part by the Government of Canada.
The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam), Skwxwú7mesh (Squamish), and Səl̓ílwətaɬ (Tsleil-Waututh) Nations. With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.
Independent arts journalism needs readers like you!
If you value stories like this, please consider supporting Pancouver.