PuSh Festival: 할머니의 시간, 나의 시간
Geyongmin (Mia) Kim
May 8, 2025
The History of Korean Western Theatre at the PuSh Festival 는 한국의 어두운 근대사가 미래 세대에 어떤 영향을 미칠지를 질문하는 작품이었다.
Tag: PuSh Festival
Olumoroti Soji-George centres curatorial practice around politics, philosophy, and how people make sense of individual realities
Charlie Smith
January 22, 2023
Soji-George, artistic director of Gallery Gachet and curator of the Black Arts Centre, is working with the PuSh Festival for the first time.
Moya Michael恍如嘉年華的作品《Coloured Swan 3: Harriet’s Remix》為溫哥華PuSh Festival帶來一場「心靈派對」
Kenneth Wong
January 9, 2023
居於比利時的編舞者兼舞蹈家Moya Michael對身份的不固定性和複雜性非常清楚。在南非約翰內斯堡土生土長的她，早於年輕時就意識到這一點，更反映於她的作品《Coloured Swan》三部曲。
Moya Michael恍如嘉年华的作品《Coloured Swan 3: Harriet’s Remix》为温哥华PuSh Festival带来一场「心灵派对」
Kenneth Wong
January 9, 2023
居于比利时的编舞者兼舞蹈家Moya Michael对身份的不固定性和复杂性非常清楚。在南非约翰内斯堡土生土长的她，早于年轻时就意识到这一点，更反映于她的作品《Coloured Swan》三部曲。
Moya Michael’s carnival-like Coloured Swan 3: Harriet’s Remix brings “a party of the mind” to Vancouver’s PuSh Festival
Charlie Smith
January 9, 2023
The South African-born and Belgium-based choreographer and dancer is very aware of the fluidity and complexity of identity.
PuSh Festival artist in residence Rakesh Sukesh creates an entire show rooted in micro-aggressions
Charlie Smith
December 28, 2022
Sukesh, an Indian-born and Belgium-based dancer and choreographer, is working with award-winning Vancouver playwright Marcus Youssef.
PuSh Festival進駐藝術家Rakesh Sukesh構思以「微歧視」為主題的表演項目
Kenneth Wong
December 28, 2022
當我準備撰寫這篇關於編舞者Rakesh Sukesh的文章時，以他被歧視的一次奇怪經歷作起頭似乎合適不過。那次經歷除了讓Rakesh留下深刻印象，更加是報章編輯慣常用作文章開首的那種軼事。
PuSh Festival进驻艺术家Rakesh Sukesh构思以「微歧视」为主题的表演项目
Kenneth Wong
December 28, 2022
当我准备撰写这篇关于编舞者Rakesh Sukesh的文章时，以他被歧视的一次奇怪经历作起头似乎合适不过。那次经历除了让Rakesh留下深刻印象，更加是报章编辑惯常用作文章开首的那种轶事。
PuSh Festival restores its international lustre with nuanced perspectives on identity
Charlie Smith
December 20, 2022
Festival director of programming Gabrielle Martin is highlighting the complexity of diversity—something she felt when she visited Zimbabwe.
编舞者兼舞蹈家Smail Kanouté在《Never Twenty One》向枪械暴力的年轻黑人遇害者致敬
Kenneth Wong
December 18, 2022
跨界别艺术家Smail Kanouté的舞蹈制作、影片及平面设计无论在哪里展出都会引起哄动。个中的原因，可能是因为这名马里裔法国人总能够以天马行空和富有情感的方式将字母呈现出来。
PuSh Festival: 할머니의 시간, 나의 시간
Geyongmin (Mia) Kim
May 8, 2025
Moya Michael恍如嘉年華的作品《Coloured Swan 3: Harriet’s Remix》為溫哥華PuSh Festival帶來一場「心靈派對」
Kenneth Wong
January 9, 2023
Moya Michael恍如嘉年华的作品《Coloured Swan 3: Harriet’s Remix》为温哥华PuSh Festival带来一场「心灵派对」
Kenneth Wong
January 9, 2023
Moya Michael’s carnival-like Coloured Swan 3: Harriet’s Remix brings “a party of the mind” to Vancouver’s PuSh Festival
Charlie Smith
January 9, 2023
PuSh Festival artist in residence Rakesh Sukesh creates an entire show rooted in micro-aggressions
Charlie Smith
December 28, 2022
PuSh Festival進駐藝術家Rakesh Sukesh構思以「微歧視」為主題的表演項目
Kenneth Wong
December 28, 2022
PuSh Festival进驻艺术家Rakesh Sukesh构思以「微歧视」为主题的表演项目
Kenneth Wong
December 28, 2022
PuSh Festival restores its international lustre with nuanced perspectives on identity
Charlie Smith
December 20, 2022
编舞者兼舞蹈家Smail Kanouté在《Never Twenty One》向枪械暴力的年轻黑人遇害者致敬
Kenneth Wong
December 18, 2022
The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
This project is funded in part by the Government of Canada.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam Indian Band), Skwxwú7mesh (Squamish Nation), and Səl̓ílwətaɬ (Tsleil-Waututh Nation). With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.
This project is funded in part by the Government of Canada.
The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam), Skwxwú7mesh (Squamish), and Səl̓ílwətaɬ (Tsleil-Waututh) Nations. With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.