
編舞者兼舞蹈家Smail Kanouté在《Never Twenty One》向槍械暴力的年輕黑人遇害者致敬
跨界別藝術家Smail Kanouté的舞蹈製作、影片及平面設計無論在哪裡展出都會引起哄動。箇中的原因,可能是因為這名馬里裔法國人總能夠以天馬行空和富有情感的方式將字母呈現出來。

跨界別藝術家Smail Kanouté的舞蹈製作、影片及平面設計無論在哪裡展出都會引起哄動。箇中的原因,可能是因為這名馬里裔法國人總能夠以天馬行空和富有情感的方式將字母呈現出來。

Kanouté integrates several artforms into his practice, which is rooted in his French-Malian identity and his exposure to many cultures.

At the PuSh International Performing Arts Festival, the South Korean theatre maker and composer addresses discrimination of a different sort.



The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
This project is funded in part by the Government of Canada.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam Indian Band), Skwxwú7mesh (Squamish Nation), and Səl̓ílwətaɬ (Tsleil-Waututh Nation). With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.
This project is funded in part by the Government of Canada.
The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam), Skwxwú7mesh (Squamish), and Səl̓ílwətaɬ (Tsleil-Waututh) Nations. With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.
Independent arts journalism needs readers like you!
If you value stories like this, please consider supporting Pancouver.