Osvaldo Ramirez Castillo turns collective trauma into living, growing art
Charlie Smith
February 2, 2026
The Richmond Art Gallery is presenting three of Ramirez Castillo’s works in The Chromophiliacs exhibition.
Tag: Richmond Art Gallery
The Chromophiliacs exhibition at Richmond Art Gallery reflects diversity of artistic practices in the region
Charlie Smith
January 22, 2026
Curated by Zoë Chan, The Chromophiliacs brings together 10 artists whose use of colour is central to their practice.
Richmond Art Gallery exhibits Anna Wong’s The Great Wall: #6 in its Collection Close-up
Charlie Smith
April 15, 2025
Wong employed serigraphy, chine collé, and printing of calligraphy over collaged and hand-coloured surfaces on The Great Wall: #6.
黄瑞仪透过《黄色服饰》在列治文美术馆探讨东方主义
Mei-Chen Chen
April 11, 2025
经过数十年的艺术创作及在康考迪亚大学任教，黄瑞仪 (Mary Sui Yee Wong) 依然不习惯成为镁光灯的焦点。个性内向的她，更喜欢创作雕塑、摄影、影像、服装或公共艺术，而不是在人群中穿梭。
黃瑞儀透過《黃色服飾》在列治文美術館探討東方主義
Mei-Chen Chen
April 11, 2025
經過數十年的藝術創作及在康考迪亞大學任教，黃瑞儀 (Mary Sui Yee Wong) 依然不習慣成為鎂光燈的焦點。個性內向的她，更喜歡創作雕塑、攝影、影像、服裝或公共藝術，而不是在人群中穿梭。
Mary Sui Yee Wong engages with Orientalism through Yellow Apparel at Richmond Art Gallery
Charlie Smith
April 11, 2025
Restless by Nature: Mary Sui Yee Wong, 1990s to the present runs until June 8.
列治文美术馆展览《亲爱的塑胶》：探讨无所不在且难以避免的材料
Mei-Chen Chen
January 15, 2025
列治文美术馆 (Richmond Art Gallery) 即将推出两个全新以环境为主题的展览。其中，《Dear Plastic（亲爱的塑胶）》由 Zoë Chan 策划，这是一场群展，展出 Ari Bayuaji、Emily Hermant、Caroline Monnet、Alex Tedlie-Stursberg 及 Cheryl Wong 的作品。Chan 是列治文美术馆的策展人。
列治文美術館展覽《親愛的塑膠》：探討無所不在且難以避免的材料
Mei-Chen Chen
January 15, 2025
列治文美術館 (Richmond Art Gallery) 即將推出兩個全新以環境為主題的展覽。其中，《Dear Plastic（親愛的塑膠）》由 Zoë Chan 策劃，這是一場群展，展出 Ari Bayuaji、Emily Hermant、Caroline Monnet、Alex Tedlie-Stursberg 及 Cheryl Wong 的作品。Chan 是列治文美術館的策展人。
Richmond Art Gallery’s Dear Plastic exhibition reflects on a ubiquitous and inescapable material
Charlie Smith
January 15, 2025
According to curator Zoë Chan, the title comes from an ’80s song called “Dear Plastic” by Björk’s old band, The Sugarcubes.
袁慧娴以超过200件版画在列治文美术馆重现历史悠久的「同和杂货店」氛围
Mei-Chen Chen
November 13, 2024
温哥华艺术家袁慧娴 (Marlene Yuen) 形容自己是一位说故事的人。这位英属哥伦比亚大学的毕业生经常透过结合文本与图像，利用漫画、版画和书籍来呈现加拿大华人的历史。
Osvaldo Ramirez Castillo turns collective trauma into living, growing art
Charlie Smith
February 2, 2026
The Chromophiliacs exhibition at Richmond Art Gallery reflects diversity of artistic practices in the region
Charlie Smith
January 22, 2026
Richmond Art Gallery exhibits Anna Wong’s The Great Wall: #6 in its Collection Close-up
Charlie Smith
April 15, 2025
黄瑞仪透过《黄色服饰》在列治文美术馆探讨东方主义
Mei-Chen Chen
April 11, 2025
黃瑞儀透過《黃色服飾》在列治文美術館探討東方主義
Mei-Chen Chen
April 11, 2025
Mary Sui Yee Wong engages with Orientalism through Yellow Apparel at Richmond Art Gallery
Charlie Smith
April 11, 2025
列治文美术馆展览《亲爱的塑胶》：探讨无所不在且难以避免的材料
Mei-Chen Chen
January 15, 2025
列治文美術館展覽《親愛的塑膠》：探討無所不在且難以避免的材料
Mei-Chen Chen
January 15, 2025
Richmond Art Gallery’s Dear Plastic exhibition reflects on a ubiquitous and inescapable material
Charlie Smith
January 15, 2025
袁慧娴以超过200件版画在列治文美术馆重现历史悠久的「同和杂货店」氛围
Mei-Chen Chen
November 13, 2024
The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
This project is funded in part by the Government of Canada.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam Indian Band), Skwxwú7mesh (Squamish Nation), and Səl̓ílwətaɬ (Tsleil-Waututh Nation). With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.
This project is funded in part by the Government of Canada.
The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam), Skwxwú7mesh (Squamish), and Səl̓ílwətaɬ (Tsleil-Waututh) Nations. With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.