SFU scholar Evan Freeman points out that attacks on cultural heritage and institutions are sometimes part of democratic backsliding.
温哥华台湾节（Vancouver TAIWANfest）迎来第十个与不同国家文化开展对话的年头。在9月5日至7日的劳动节长周末期间，该活动将于温哥华市中心与苏格兰对话（Dialogue With Scotland），透过讲座、表演、展览以及电影，全数聚焦于苏格兰文化或该国与台湾的历史渊源。
戴維斯在9月7日的講座題為「穿越《異鄉人》：追憶蘇格蘭歷史中的詹姆士黨」（Before Outlander: Remembering the Jacobites in Scottish History）。享樂弦樂團（Sybaritic String Band）的三位成員——席拉·艾倫（Sheila Allen，小提琴）、史考特·阿爾彭（Scott Alpen，愛爾蘭手鼓）與羅伯·麥格雷戈（Rob McGregor，曼陀林）也將參與其中。這支三人組合將為詹姆斯黨人（Jacobites）提供音樂視角；一個世紀以來，詹姆斯黨人徒勞地為恢復斯圖亞特王朝（House of Stuart）的英國王位而奮戰。
Leith Davis, director of the Centre for Scottish Studies at SFU, will discuss how literature has shaped perceptions about Jacobite history.
These objects may date to late antiquity (roughly the third to sixth or seventh century) and/or the medieval period.
For years, foreign-language films have been recognized as an invaluable resource for language learning.
At a time when more newcomers are coming to Canada and looking for jobs, it’s important to gain a deeper understanding of accent bias.
A PhD student in forensic criminal psychology at SFU offers his take on a popular Netflix miniseries about stalking.
SFU School of Criminology PhD candidate Michaela M. McGuire makes the case that “racialized” is more appropriate than “BIPOC”.
The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
This project is funded in part by the Government of Canada.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam Indian Band), Skwxwú7mesh (Squamish Nation), and Səl̓ílwətaɬ (Tsleil-Waututh Nation). With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.
This project is funded in part by the Government of Canada.
The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam), Skwxwú7mesh (Squamish), and Səl̓ílwətaɬ (Tsleil-Waututh) Nations. With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.
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